MARC record from Internet Archive

LEADER: 04419cam a2200769 a 4500
001 ocm29600790
003 OCoLC
005 20191109071905.7
008 931207s1995 nyu b 000 0 eng
010 $a 93046255
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020 $a0820424420$q(alk. paper)
020 $a9780820424422$q(alk. paper)
029 1 $aAU@$b000010678603
029 1 $aDEBBG$bBV009528630
029 1 $aGEBAY$b2169335
029 1 $aHEBIS$b029070457
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035 $a(OCoLC)29600790
050 00 $aPR2997.O65$bE57 1995
082 00 $a822.3/3$220
084 $aHI 3381$2rvk
084 $aHI 3390$2rvk
049 $aMAIN
245 00 $aEntering the maze :$bShakespeare's art of beginning /$cedited by Robert F. Willson, Jr.
260 $aNew York :$bP. Lang,$c©1995.
300 $aviii, 180 pages ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aStudies in Shakespeare ;$vvol. 2
504 $aIncludes bibliographical references.
520 $aThe essays in this collection address the prophetic function of opening scenes and sequences in Shakespeare's histories, dramas, and comedies. The authors ask and attempt to answer such questions as what constitutes an opening sequence, the purpose of prologues and choruses, the meaning of "enframed action," and the relationship between exposition and mood setting. The contributors include prominent Shakespearean scholars such as Douglas Peterson, Barbara Palmer, David Bergeron, and J.L. Styan. Several of the papers were originally presented at a meeting of the Shakespeare Association of America.
505 00 $g1.$tIntroduction --$g2.$tCorporeality and the Opening of Richard III /$rMarie A. Plasse --$g3.$tShakespearean Openings With a Flourish: Pageantry as Introduction /$rBarbara D. Palmer --$g4.$tBeginnings and Endings: Structure and Mimesis in Shakespeare's Comedies /$rDouglas L. Peterson --$g5.$tOnce More Into the Play: Beginning the Sequel in Shakespeare's History Plays /$rJoseph Candido --$g6.$tThe Establishment of Tragic and Untragic Patterns in the Opening Scenes of Hamlet, Macbeth, Antony and Cleopatra, and Troilus and Cressida /$rRichard L. Nochimson --$g7.$t"What's there?": Opening Hamlet on Film /$rH.R. Coursen --$g8.$t1.1 of Othello: Iago in Rehearsal /$rRobert F. Willson, Jr. --$g9.$tThe Fearful Summons: Death in the Opening Scenes of Shakespearean Tragedy /$rNancy Cluck --$g10.$tEntering King Lear with Shakespeare and His Yiddish Adapter /$rRhoda S. Kachuck --$g11.$tThe Opening of All's Well That Ends Well: A Performance Approach /$rJ.L. Styan.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aShakespeare, William,$d1564-1616$xTechnique.
600 16 $aShakespeare, William,$d1564-1616$xTechnique.
600 17 $aShakespeare, William,$d1564-1616.$2fast$0(OCoLC)fst00029048
600 17 $aShakespeare, William$d1564-1616$2gnd
600 17 $aShakespeare, William,$d(1564-1616)$xTechnique.$2ram
600 17 $aShakespeare, William.$2swd
650 0 $aOpenings (Rhetoric)
650 0 $aDrama$xTechnique.
650 6 $aOuverture (Rhétorique)
650 7 $aDrama$xTechnique.$2fast$0(OCoLC)fst00897512
650 7 $aOpenings (Rhetoric)$2fast$0(OCoLC)fst01046144
650 7 $aTechnique.$2fast$0(OCoLC)fst01355129
650 7 $aDramenanfang$2gnd
650 7 $aCommencement (rhétorique)$2ram
650 7 $aPrologues et épilogues.$2ram
655 4 $aAufsatzsammlung.
700 1 $aWillson, Robert F.,$cJr.$q(Robert Frank),$d1939-
776 08 $iOnline version:$tEntering the maze.$dNew York : P. Lang, ©1995$w(OCoLC)605153331
776 08 $iOnline version:$tEntering the maze.$dNew York : P. Lang, ©1995$w(OCoLC)607794696
830 0 $aStudies in Shakespeare ;$vvol. 2.
938 $aBaker & Taylor$bBKTY$c54.95$d54.95$i0820424420$n0002432243$sactive
938 $aBaker and Taylor$bBTCP$n93046255
938 $aYBP Library Services$bYANK$n769558
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