MARC record from Internet Archive

LEADER: 02236cam a2200373 i 4500
001 11374302
005 20150720131322.0
008 140725s2015 enkaf b 001 0 eng
010 $a 2014029253
019 $a894026368$a904268592
020 $a9781472428271$q(hardcover :$qalk. paper)
020 $a1472428277$q(hardcover :$qalk. paper)
024 $a99962750606
035 $a(OCoLC)ocn884961894
035 $a(OCoLC)884961894$z(OCoLC)894026368$z(OCoLC)904268592
035 $a(NNC)11374302
040 $aDLC$beng$erda$cDLC$dYDX$dBTCTA$dERASA$dYDXCP$dCDX$dYNK$dCUD$dOCLCQ$dUKTTE
042 $apcc
050 00 $aN4396$b.E94 2015
082 00 $a707.5$223
245 00 $aExhibiting outside the academy, salon and biennial, 1775-1999 :$balternative venues for display /$cedited by Andrew Graciano.
264 1 $aFarnham, Surrey ;$aBurlington, VT :$bAshgate,$c[2015]
300 $axiii, 292 pages, 20 unnumbered pages of plates :$billustrations (chiefly color) ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"In recent years there has been increasing scholarly interest in the history of museums, academies, and major exhbiitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions with the notable exception of those publications that deal with situations involving major artists or those who would become so. The present volume uses and contextualizes eleven case studies to advance some overarching themes and commonalities among alternative exhibitions in the long modern period fromt he late eighteenth to the late twentieth centuries and beyond. These include the issue of control in the interrelation and elision of the roles of artist and curator, and the relationship of such alternative exhibitions to the dominant modes, structures of display, and cultural ideology."
650 0 $aArt$xExhibitions$xHistory.
650 0 $aArt$xExhibition techniques.
650 0 $aArtists and art museum curators.
700 1 $aGraciano, Andrew,$eeditor.
852 00 $bfaxlc$hN4396$i.E94 2015