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MARC record from Internet Archive

LEADER: 03322cam 2200565Ia 4500
001 ocm44722335
003 OCoLC
005 20210112234949.0
008 000804s1999 enka b 001 0 eng d
010 $a 00709354
040 $aCGP$beng$cCGP$dTXA$dDPL$dBAKER$dYDXCP$dMTG$dB9K$dOTP$dOCLCQ$dUAB$dVMC$dOCLCF$dOCLCQ$dMLSOD$dBDX$dOCLCO$dOCL$dI8M$dTY7$dZCU
019 $a670796219$a1008187380
020 $a0521788471$q(pbk.)
020 $a9780521788472$q(pbk.)
020 $a0521782996
020 $a9780521782999
035 $a(OCoLC)44722335$z(OCoLC)670796219$z(OCoLC)1008187380
043 $ae-gx---
050 14 $aN6868.5.E9$bB44 1999
082 04 $a759./0642$bBeh
082 04 $a709/.04/042$221
100 1 $aBehr, Shulamith.
245 10 $aExpressionism /$cShulamith Behr.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c1999.
300 $a80 pages :$billustrations (some color) ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMovements in modern art
504 $aIncludes bibliographical references (pages 76-77) and index.
520 1 $a"The term 'Expressionist' was initially applied to French modern painting displayed in a Berlin Secession exhibition of 1911. By the time of the First World War, the broader concept of 'Expressionism' permeated German metropolitan culture at many levels. Though lacking stylistic cohesion, the movement was united by a refection of Impressionism and a search for an inner, essential reality behind the external world of appearances." "Shulamith Behr explores themes of opposition - from equivocal images of the city and commercial life to counter-images of the country. She examines the artistic communities in Dresden (Die Brucke), Munich (Der Blaue Reiter) and Berlin (Die Pathetiker), and explores the significance of the First World War years and the November Revolution of 1918. Though Expressionist art was categorised as 'degenerate' during the Third Reich, the tradition was absorbed into the repertoire of modernism and received renewed vigour in the post-war period."--Jacket.
505 0 $aExpressionism: its Origins, Meanings and Historiography -- 1. Nature, Culture and Modernity: Dresden -- 2. Utopianism and Abstraction: Munich -- 3. Modernity and its Conflicts: Berlin -- 4. War, Revolution and Counter Revolution.
650 0 $aExpressionism (Art)$zGermany.
650 0 $aArt, German$y20th century.
650 7 $aArt, German.$2fast$0(OCoLC)fst00816307
650 7 $aExpressionism (Art)$2fast$0(OCoLC)fst00918895
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
651 4 $aExpresionismo (Arte)$zAlemania.
648 7 $a1900-1999$2fast
830 0 $aMovements in modern art (Cambridge, England)
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/cam021/00709354.html
938 $aBaker & Taylor$bBKTY$c60.00$d60.00$i0521782996$n0003520223$sactive
938 $aBaker & Taylor$bBKTY$c17.99$d13.49$i0521788471$n0003520315$sactive
938 $aYBP Library Services$bYANK$n1657854
938 $aBrodart$bBROD$n56273568$c$17.99
029 1 $aNZ1$b6192241
029 1 $aYDXCP$b1657853
029 1 $aYDXCP$b1657854
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 447 OTHER HOLDINGS