MARC record from Internet Archive

LEADER: 03854cam 2200673 a 4500
001 ocm36065960
003 OCoLC
005 20220818223322.0
008 961202s1997 nyua 001 0 eng
010 $a 96037962
040 $aDLC$beng$cDLC$dUKM$dBAKER$dNLGGC$dYDXCP$dBTCTA$dQ3H$dGEBAY$dZVM$dILU$dOCLCO$dOCLCF$dNLE$dOCLCQ$dER0$dCNGUL$dOCLCQ$dDCT$dOCLCO$dCCS$dOCLCO$dCPO$dOCLCO
015 $aGB9831184$2bnb
019 $a39534036$a877692991$a1008118525
020 $a0442022549
020 $a9780442022549
020 $a047128761X$q(pbk.)
020 $a9780471287612$q(pbk.)
035 $a(OCoLC)36065960$z(OCoLC)39534036$z(OCoLC)877692991$z(OCoLC)1008118525
050 00 $aZ250.7$b.H45 1997
080 $a766
082 00 $a686.2/24$221
084 $a06.22$2bcl
084 $a54.59$2bcl
084 $aJ293$2clc
100 1 $aHeller, Steven.
245 10 $aFaces on the edge :$btype in the digital age /$cSteven Heller and Anne Fink ; designed by Michael Ian Kaye.
246 30 $aType in the digital age
260 $aNew York :$bVan Nostrand Reinhold,$c©1997.
300 $a131 pages :$billustrations (some color) ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index.
530 $aAlso issued online.
505 00 $tRebirths & revivals: encore for nostalgic and passé faces --$tGreeking Roman: classical faces and contempo scrawls --$tDigital carvings: new designs for new media --$tOff the wall: the weirdest of the weird --$tOptical delusions: type that shakes, rattles, and rolls --$tLots o' laffs: digital dingbats, fleurons, and jewels --$tFoundries on the edge: the new typographers.
520 8 $aWith useful information on how to obtain and apply each typeface, Faces on the Edge is an indispensable resource for graphic designers, desktop designers, and students alike. Over 200 illustrations in color and black and white document the real-life application of these inventive typefaces in popular magazines, advertising, posters, and multimedia. Faces on the Edge is a vivid, timely account of what is undeniably a significant era of type design.
520 8 $aMore than 200 typefaces, from the classically inspired to the exuberantly (near) illegible, are featured in this compilation, illustrating how new technologies have dramatically increased the possibilities of type design. Included are typefaces from many of the world's most innovative type foundries, such as Emigre Fonts, FontShop International, Garage Fonts, Thirst Fonts, Exploding Fonts, and T-26, and represents some of the finest type designers such as Zuzana Licko, Rudy VanderLans, Jonathan Hoefler, Tobias Frere-Jones, Ed Fella, and Barry Deck. Typefaces are identified by date, designer, and foundry; a brief description text places each in the larger context of digital type history.
650 0 $aComputer fonts.
650 6 $aPolices (Industries graphiques)
650 7 $afonts (type composition equipment)$2aat
650 7 $aComputer fonts.$2fast$0(OCoLC)fst00872105
650 7 $aComputersatz$2gnd
650 7 $aSchriftprobe$2gnd
650 7 $aBildband$2gnd
650 17 $aLetters.$2gtt
650 17 $aDigitale technieken.$2gtt
700 1 $aFink, Anne.
776 08 $iOnline version:$aHeller, Steven.$tFaces on the edge.$dNew York : Van Nostrand Reinhold, ©1997$w(OCoLC)645849399
938 $aBaker & Taylor$bBKTY$c29.95$d22.46$i047128761X$n0003109156$sactive
938 $aBaker and Taylor$bBTCP$n96037962
938 $aYBP Library Services$bYANK$n1436227
029 1 $aAU@$b000012917332
029 1 $aAU@$b000060994983
029 1 $aGEBAY$b2786127
029 1 $aNZ1$b4754110
029 1 $aYDXCP$b1349929
029 1 $aYDXCP$b1436227
994 $aZ0$bIME
948 $hNO HOLDINGS IN IME - 274 OTHER HOLDINGS