| Record ID | ia:fatalisminameric0000pipp |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/fatalisminameric0000pipp/fatalisminameric0000pipp_marc.xml |
| Download MARC binary | https://www.archive.org/download/fatalisminameric0000pipp/fatalisminameric0000pipp_meta.mrc |
LEADER: 01183cam a22002774a 4500
001 2011018971
003 DLC
005 20120420081721.0
008 110513s2012 vaua b s001 0 eng
010 $a 2011018971
020 $a9780813931890 (cloth : alk. paper)
020 $a9780813932019 (e-book)
040 $aDLC$cDLC$dDLC
042 $apcc
043 $an-us---
050 00 $aPN1995.9.F54$bP58 2012
082 00 $a791.43/6556$223
100 1 $aPippin, Robert B.,$d1948-
245 10 $aFatalism in American film noir :$bsome cinematic philosophy /$cRobert B. Pippin.
260 $aCharlottesville :$bUniversity of Virginia Press,$c2012.
300 $a135 p. :$bill. ;$c23 cm.
490 0 $aPage-Barbour lectures for 2010
504 $aIncludes bibliographical references (p. [123]-126) and index.
505 0 $aIntroduction -- Trapped by oneself in Jacques Tourneur's Out of the past -- "A deliberate, intentional fool" in Orson Welles's The lady from Shanghai -- Sexual agency in Fritz Lang's Scarlet Street -- "Why didn't you shoot again, baby?": concluding remarks.
650 0 $aFilm noir$zUnited States$xHistory and criticism.
650 0 $aFate and fatalism in motion pictures.