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LEADER: 05129cam a2200445 i 4500
001 12910364
005 20180723222502.0
008 171001t20172017ne a b 001 0 eng c
020 $a946258222X
020 $a9789462582224
035 $a(OCoLC)ocn995002956
035 $a(OCoLC)995002956
035 $a(NNC)12910364
040 $aYDX$beng$erda$cYDX$dBDX$dBTCTA$dERASA$dQGJ$dQGK$dFXM$dQGJ$dINU$dOCLCF$dOHX
042 $apcc
050 4 $aND653.B754$bF47 2017
082 04 $a700-9492
245 00 $aFerdinand Bol and Govert Flinck :$bnew research /$cedited by Stephanie S. Dickey ; with essays by: Ann Jensen Adams [and 20 others].
264 1 $aZwolle :$bWBOOKS,$c[2017]
264 4 $c©2017
300 $a280 pages :$billustrations (chiefly color) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 253-270) and index.
505 00 $gIntroduction:$tRising stars in Rembrandt's Amsterdam /$rStephanie Dickey --$gStyle in context.$g1.$tOn diverging styles, different functions, and fame: Govert Flinck, Ferdinand Bol, and Rembrandt as history painters /$rEric Jan Sluijter --$g2.$tThe Lambert years: Govert Flinck in Leeuwarden, ca. 1629-ca. 1633 /$rJasper Hillegers --$g3.$tGovert Flinck and the Houses of Orange and Brandenburg: networks and influence /$rSaskia Beranek --$gDramatic arts.$g4.$tPainted theatre: Flinck, Rembrandt, and other artists paint Vondel's Joseph trilogy /$rTom van der Molen --$g5.$tThe tragic gaze: Ferdinand Bol, The death of Dido, and late seventeenth-century theatre /$rIlona van Tuinen --$gIdentities recovered.$g6.$tA rare case of evidence: Ferdinand Bol's Portrait of an eight-year-old boy (1652) identified /$rFrans Grijzenhout and Erna E. Kok --$g7.$tFinding an identity: Govert Flinck's Portrait of a boy (1640) in the Barber Institute of Fine Arts, Birmingham /$rMilou Goverde and Robert Wenley --$gTechnical treatments.$g8.$tTechnical examination of Govert Flinck's Portrait of a boy (1640) in Birmingham /$rRuth Bubb --$g9.$tTechnical examination of Govert Flinck's Double portrait of a married couple (1646) in karlsruhe /$rIlona Schwägerl --$g10.$tTechnical analysis and conservation of Ferdinand Bol's An astronomer (1652) in London /$rFlaminia Rukavina, Marika Spring, Nelly von Aderkas, and David Peggie --$g11.$tFerdinand Bol's painting technique in Portrait of Jan van der Voort and his sister Catharina with a servant (1661) in Antwerp /$rEllen Keppens and Jill Keppens --$gLegacy and reception.$g12.$tThe relationship between Govert Flinck and Jürgen Ovens /$rPatrick Larsen --$g13.$tCornelis Bisschop in Dordrecht: between Ferdinand Bol and Nicolaes Maes /$rJustus Lange --$g14.$tFrom stars to satellites: the reputation of Govert Flinck and Ferdinand Bol from their time to ours /$rHilbert Lootsma --$g15.$tHiding in plain sight: textual insights into market analysis and attribution of portraits by Govert Flinck and Ferdinand Bol /$rAnn Jensen Adams.
520 8 $aThis book presents sixteen essays exploring the work of two of 17th-century Amsterdam's most ambitious painters, Govert Flinck and Ferdinand Bol. Museum curators, academic art historians, and conservation scientists from six different countries come together to investigate form, content, and context from a variety of perspectives. Eric Jan Slujter examines how changing patterns of patronage contributed to both artists' stylistic evolution. Hilbert Lootsma traces the rise and fall of their critical fortunes from their own time until today. Ann Jensen Adams situates their work in the shifting market for portraiture. Jasper Hillegers explores the origins of Flinck's career in the Leeuwarden studio of Lambert Jacobsz. Other authors present contextual and technical analyses of individual paintings. Portrait identities are revealed, painterly tricks uncovered, and both artists are shown to be influential teachers and members of an intellectual community in which art and theatre were closely linked. Many of these essays originated at an international conference held in preparation for the exhibition, Govert Flinck and Ferdinand Bol. Together, they shed new light on the methods and motivations of two artists who began as Rembrandt's acolytes but soon became his rivals.
600 10 $aBol, Ferdinand,$d1616-1680$xCriticism and interpretation.
600 10 $aFlinck, Govaert,$d1615-1660$xCriticism and interpretation.
600 17 $aBol, Ferdinand,$d1616?-1680?$2fast$0(OCoLC)fst00380569
600 17 $aFlinck, Govaert,$d1615-1660.$2fast$0(OCoLC)fst00464113
650 0 $aPainting, Dutch$y17th century.
650 7 $aPainting, Dutch.$2fast$0(OCoLC)fst01050779
648 7 $a1600-1699$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 12 $aBol, Ferdinand,$d1616-1680.$tPaintings.$kSelections.
700 12 $aFlinck, Govaert,$d1615-1660.$tPaintings.$kSelections.
700 1 $aDickey, Stephanie,$eeditor.
700 1 $aAdams, Ann Jensen,$ewriter of supplementary textual content.
852 00 $bfaxlc$hND653.B754$iF47 2017g