Record ID | ia:filmpaintingsofd0000mact |
Source | Internet Archive |
Download MARC XML | https://archive.org/download/filmpaintingsofd0000mact/filmpaintingsofd0000mact_marc.xml |
Download MARC binary | https://www.archive.org/download/filmpaintingsofd0000mact/filmpaintingsofd0000mact_meta.mrc |
LEADER: 05520cam 2200877Ma 4500
001 ocn656358947
003 OCoLC
005 20221005223850.0
008 091014s2010 enka ob 001 0 eng d
006 m o d
007 cr |n|||||||||
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050 4 $aPN1998.3.L96$bM33 2010eb
072 7 $aPER$x004010$2bisacsh
082 04 $a791.430233092$222
100 1 $aMactaggart, Allister.
245 14 $aThe film paintings of David Lynch :$bchallenging film theory /$cAllister Mactaggart.
260 $aBristol, UK ;$aChicago :$bIntellect,$c2010.
300 $a1 online resource (203 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 181-195) and index.
588 0 $aPrint version record.
505 0 $aFront Cover; Preliminary Pages; Contents; Acknowledgements; Introduction: Towards a Palimp; Chapter 1: Ever Died? Ever Failed? No Matter. Die Again. Fail Better. Immanence and Transcendence In Twin Peaks (With Apologies To Samuel Beckett); Chapter 2: Reasons to be Tearful: Snapshots of Lynchian Excess; Chapter 3: Driven to Distraction: Hitching a Ride along the Lynchian Highway; Chapter 4: Pierced by the Past: Filmic Trauma; Remembering and Forgetting; Chapter 5: 'It is Happening Again': Experiencing the Lynchian Uncanny.
505 8 $aChapter 6: The Return of the Repressed: Inland Empire, DavidLynch.Com, and the Re-emergence of Film PaintingConclusion: Stitching up Lynch; Bibliography; Index.
520 $aOne of the most distinguished?lmmakers working today, David Lynch is a director whose vision of cinema is?rmly rooted in?ne art. He was motivated to make his?rst?lm as a student because he wanted a painting that "would really be able to move." Most existing studies of Lynch, however, fail to engage fully with the complexities of his?lms' relationship to other art forms. The Film Paintings of David Lynch?lls this void, arguing that Lynch's cinematic output needs to be considered within a broad range of cultural references. Aimed at both Lynch fans and?lm studies specialists, Allister Ma.
546 $aEnglish.
600 10 $aLynch, David,$d1946-$xCriticism and interpretation.
650 7 $aPERFORMING ARTS$xFilm & Video$xDirection & Production.$2bisacsh
600 17 $aLynch, David,$d1946-$2fast$0(OCoLC)fst00300017
650 7 $aFilmtheorie$2gnd
650 7 $aFilm$2gnd
600 17 $aLynch, David$cRegisseur.$2swd
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aMactaggart, Allister.$tFilm paintings of David Lynch.$dBristol, UK ; Chicago : Intellect, 2010$z9786612555053
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