MARC record from Internet Archive

LEADER: 04003cam a2200661 i 4500
001 ocm11547897
003 OCoLC
005 20191109072854.2
008 841211s1985 nyua b 000 0 eng
010 $a 84027243
040 $aDLC$beng$cDLC$dUKM$dMUQ$dBTCTA$dYDXCP$dBAKER$dZWZ$dOCLCO$dOCLCA$dOCLCF$dNLE$dOCLCQ$dTWS$dFC@$dXFH$dOCLCO$dOCLCA$dERR$dSNN$dVJ2$dUKUOY$dOCLCQ$dHUELT$dEUQ$dCSA$dDKC$dOCLCQ$dOCLCO$dUWK$dS2H
015 $aGB8604383$2bnb
016 7 $aBA21441325$2JP-ToKJK
019 $a13425307$a340213287$a828178936$a877095224$a1065412478$a1086331028
020 $a0195035739$q(paperback)
020 $a9780195035735$q(paperback)
029 1 $aAU@$b000003860012
029 1 $aAU@$b000022018477
029 1 $aAU@$b000044613883
029 1 $aNLGGC$b863833101
029 1 $aNZ1$b2820409
029 1 $aUKDEL$b032889291
029 1 $aUNITY$b032889291
035 $a(OCoLC)11547897$z(OCoLC)13425307$z(OCoLC)340213287$z(OCoLC)828178936$z(OCoLC)877095224$z(OCoLC)1065412478$z(OCoLC)1086331028
050 00 $aPN1994$b.M364 1985
080 $a791.43.01(082)
082 00 $a791.43$219
083 0 $aCinema films Readings
049 $aMAIN
245 00 $aFilm theory and criticism :$bintroductory readings /$c[edited by] Gerald Mast, Marshall Cohen.
250 $aThird edition.
264 1 $aNew York :$bOxford University Press,$c1985.
300 $axxi, 852 pages :$billustrations ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 846-852).
505 0 $aFilm and reality -- Film image and film language -- The film medium -- Film, theater, and literature -- Film genres -- The film artist -- Film: psychology, society, and ideology.
520 $aBrought up to date with an expanded range of selections, extended historical coverage, and a dedicated pluralistic commitment, the third edition of this highly popular text on film aesthetics features major additions of contemporary topics in film theory--including psychoanalytic, feminist, and Marxist approaches--and new essays on television, horror films, and experimental movie making. Of the 53 selections, 13 are new. The section "Kinds of Film" has been retitled "Film Genres" and concentrates exclusively on the distinctions within a single type of film: classical Hollywood narrative cinema. The final section, now called "Film: Psychology, Society, and Ideology" is substantially revised to take into account film's relationship to its consumers: how films shape or reflect cultural attitudes, reinforce or reject dominant modes of cultural thinking, and stimulate or frustrate people's needs and drives. Throughout the book chapter introductions have been rewritten to reflect today's concerns. Current and comprehensive, the book that The Journal of Aesthetics and Art Criticism called "the best collection available on the disparate comments in the fields of film theory and criticism" is now even better.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aMotion pictures.
650 1 $aMoving-picture criticism$xAddresses, essays, lectures.
650 6 $aCinéma.
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aCinéma.$2ram
653 $aCinema films
655 7 $aMotion pictures.$2fast$0(OCoLC)fst01726252
655 7 $aMotion pictures.$2lcgft
700 1 $aMast, Gerald,$d1940-1988,$eeditor.
700 1 $aCohen, Marshall,$eeditor.
776 08 $iOnline version:$tFilm theory and criticism.$b3rd ed.$dNew York : Oxford University Press, 1985$w(OCoLC)607737696
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0636/84027243-d.html
938 $aBaker & Taylor$bBKTY$c22.00$d22.00$i0195035739$n0007840613$sactive
938 $aBaker and Taylor$bBTCP$nBK0007840613
938 $aYBP Library Services$bYANK$n100643
994 $a92$bERR
976 $a31927000182151