MARC record from Internet Archive

LEADER: 09346cam 2201009 a 4500
001 ocn144618654
003 OCoLC
005 20220725191440.0
008 031010s2004 caua o 001 0 eng d
006 m o d
007 cr cn|||||||||
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072 7 $aPHO$x022000$2bisacsh
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082 04 $a778.59302855369$221
100 1 $aTeague, Jason Cranford.
245 10 $aFinal Cut Pro 4 and the art of filmmaking /$cJason Cranford Teague, David Teague.
246 30 $aFinal Cut Pro 4
246 3 $aFinal Cut Pro four
246 3 $aFinal Cut Pro four and the art of filmmaking
260 $aSan Francisco [Calif.] :$bSYBEX,$c©2004.
300 $a1 online resource (xix, 412 pages) :$billustrations (chiefly color)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file
500 $aIncludes index.
500 $aSequel to: Final Cut Pro 3 and the art of filmmaking.
588 0 $aPrint version record.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
505 0 $aFinal Cut Pro 4 and the Art of Filmmaking; Acknowledgments; Contents; Introduction; What Is This Book About?; How Is This Book Organized?; Who Is This Book For?; What Tools Do You Need for This Book?; Installing Final Cut Pro; Part I: Getting Started; Chapter 1: Up Your Workstation; Overview; Hooking Up to a DV Deck or Camera; Hooking Up to a Media Converter Box; Installing an Analog-to-Digital Capture Card; Chapter 2: Getting to Know Final Cut Pro; Overview; Running Final Cut Pro for the First Time; Setting Your User Preferences; The Browser; The Viewer; The Timeline; The Canvas
505 8 $aCustomizing with the Keyboard Layout and Button ListUsing the Tools and the Audio Meter; The Tool Bench and QuickView; Chapter 3: Creating Your Footage; Overview; Keeping a Camera Log; Shooting Video for Efficient Editing; Recording Audio on a Shoot; Chapter 4: Logging Your Footage; Overview; Getting to Know the Log and Capture Window; Using the Logging Tab; Using Markers with Log and Capture; Adjusting Your Clip Settings; Setting In and Out Points; Logging Your Clip for Batch Capture; Creating and Importing Batch Capture Lists; Chapter 5: Capturing and Importing Your Footage; Overview
505 8 $aCreating Your Capture SettingsAdjusting Your Capture Settings; Capture Now: Capturing Clips on the Fly; Capture Clip: Capturing One Clip; Batch Capture: Capturing Multiple Clips; Using OfflineRT; Using DV Start/Stop Detection; Importing Existing Media Files; A Quick Guide to Logging and Capturing; Part II Editing Your Movie; Chapter 6: Your Edit; Overview; Creating a New Sequence; Working with Clips; Adding Blank Tracks in the Timeline; Deleting Blank Tracks in the Timeline; Editing Clips into the Timeline; Editing Clips into the Timeline through the Canvas
505 8 $aTightening Your Cut with Ripple Delete, Lift Delete, and Close GapChapter 7: Tools of Editing; Overview; Linking Audio and Video Clips; Working with Stereo Pairs; Creating Subclips; Chapter 8: Smart Edits; Overview; Trimming with the Mouse; Using the Razor Blade; Making Roll Edits; Making Ripple Edits; Making Slip Edits; Making Slide Edits; Editing for Speed: Slow Motion, Fast Motion, and Reverse; Part III: Adding Effects; Chapter 9: Working with Effects: Real-Time and Rendering; Overview; Adding an Effect to a Clip; Rendering Clips; Saving Your Favorite Effects; Chapter 10: Transitions
505 8 $aOverviewAdding Transitions; Changing a Transition's Duration; Working with Transitions; Adding Audio Transitions; Chapter 11: Filters for Color Correcting; Overview; Adding a Filter; Adjusting Brightness and Contrast; Color Manipulation with Image Control Filters; Color Correcting Poor Footage; Color Adjustments with Gamma Levels and Proc Amp; Chapter 12: the Image with Filters; Overview; Blurring the Image; Distorting the Image; Changing the Perspective; Adding a Border; Creating a Negative Image Using Invert; Stylizing Your Clip; Chapter 13: Compositing Images; Overview
520 $aThe Ultimate Resource for the World's Best Digital Video Editor This full-color, hands-on guide introduces you to the powerful new features of Final Cut Pro 4, while leading you through all aspects of editing digital video. First you'll learn how to set up your workstation and master fundamental concepts. Then you'll learn pro-tested techniques for every stage of the process--everything from shooting tips to logging your footage, from adding transitions and special effects to delivering your masterpiece in multiple formats. Along the way, professional video editors emphasize the trick.
630 00 $aFinal cut (Electronic resource)
650 0 $aDigital video$xEditing$xData processing.
650 0 $aVideo tapes$xEditing$xData processing.
650 6 $aVidéo numérique$xMontage$xInformatique.
650 6 $aVidéos$xMontage$xInformatique.
650 7 $aPHOTOGRAPHY$xTechniques$xCinematography & Videography.$2bisacsh
650 7 $aART$xFilm & Video.$2bisacsh
630 07 $aFinal cut (Electronic resource)$2fast$0(OCoLC)fst01392770
650 7 $aDigital video$xEditing$xData processing.$2fast$0(OCoLC)fst00893741
650 7 $aVideo tapes$xEditing$xData processing.$2fast$0(OCoLC)fst01166544
655 0 $aDVDs.
655 4 $aElectronic books.
700 1 $aTeague, David.
700 1 $aTeague, Jason Cranford.$tFinal Cut Pro 3 and the art of filmmaking.
776 08 $iPrint version:$aTeague, Jason Cranford.$tFinal Cut Pro 4 and the art of filmmaking.$dSan Francisco [Calif.] : SYBEX, ©2004$z0782143008$w(OCoLC)53392766
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