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LEADER: 06096cam 2200877Ia 4500
001 ocn711688244
003 OCoLC
005 20181121214251.0
008 110406s1982 msug o 001 0 eng d
006 m o d
007 cr cnu---unuuu
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020 $a9781617030994$q(electronic bk.)
020 $a1617030996$q(electronic bk.)
020 $z0878051570
020 $z9780878051571
020 $z9781604731675
035 $a(OCoLC)711688244$z(OCoLC)764555943$z(OCoLC)891420289$z(OCoLC)961505957$z(OCoLC)962573542$z(OCoLC)974573180$z(OCoLC)974613590$z(OCoLC)988429151$z(OCoLC)992098403$z(OCoLC)1018054507$z(OCoLC)1037929851$z(OCoLC)1038662410$z(OCoLC)1042124866$z(OCoLC)1042401742$z(OCoLC)1045473864$z(OCoLC)1058160410
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245 00 $aFolk music and modern sound /$cedited by William Ferris and Mary L. Hart.
260 $aJackson :$bUniversity Press of Mississippi,$c℗♭1982.
300 $a1 online resource (xiv, 215 pages) :$bmusic.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aCenter for the Study of Southern Culture series
500 $aBased on lectures presented at a conference at the University of Mississippi, Apr. 17-19, 1980.
500 $aIncludes index.
505 00 $tImpact of recording technology on the British folksong revival /$rKenneth S. Goldstein --$tElectric folk music in Britain /$rA.L. Lloyd --$tHow the fiddler got on the roof /$rMark Slobin --$tSlovenian style in Milwaukee /$rCharles Keil --$tEthnic and popular style in America /$rRichard Spottswood --$tNew directions in sacred harp singing /$rDoris J. Dyen --$tGospel goes uptown : White gospel music, 1945-1955 /$rCharles K. Wolfe --$tSecularization of Black gospel music /$rAnthony Heilbut --$tHonky tonk : the music of the southern working class /$rBill C. Malone --$tCommercialization and tradition in the Nashville sound /$rWilliam Ivey --$tCharles Ives : Victorian gentleman or American folk hero? /$rVivian Perlis --$tMyths about Black folk music /$rDena J. Epstein --$tBlues and modern sound : past, present, and future /$rDavid Evans --$tBlack music : its roots, its popularity, its commercial prostitution /$rAmiri Baraka --$tFolk, popular, jazz, and classical elements in New Orleans /$rRobert Palmer.
588 0 $aPrint version record.
520 $aThe essays in this collection range from the impact of technology on the British folksong revival to regional characteristics of early rock and roll in New Orleans. Attention is given to the blues, Sacred Harp singing, ethnic music, both black and white gospel, country music, and the polka. Other essays consider the relationship of music from the Yiddish-American theater with that of Broadway, the wide influence and commercialization of black music in today's popular music, myths about early black music, and Charles Ives as folk hero. Contributors include Amiri Baraka, Doris J. Dyen, Dena J.E.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[S.l.] :$cHathiTrust Digital Library,$d2011.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2011$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
650 0 $aFolk music$xHistory and criticism.
650 7 $aMUSIC$xMusical Instruments$xGeneral.$2bisacsh
650 7 $aMUSIC$xGenres & Styles$xFolk & Traditional.$2bisacsh
650 7 $aFolk music.$2fast$0(OCoLC)fst00929383
650 07 $aVolksmusik.$2swd
650 07 $aAufsatzsammlung.$2swd
650 07 $aVolkstu mliche Musik.$2swd
651 7 $aUSA.$2swd
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aFerris, William R.,$eeditor.
700 1 $aHart, Mary L.,$eeditor.
776 08 $iPrint version:$tFolk music and modern sound.$dJackson : University Press of Mississippi, ℗♭1982$z0878051570$w(DLC) 82002041$w(OCoLC)8170093
830 0 $aCenter for the Study of Southern Culture series.
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