MARC record from Internet Archive

LEADER: 03122cam 2200589 i 4500
001 on1196378571
003 OCoLC
005 20220916215717.0
008 200923t20172017enkac ob 001 0 eng d
006 m o d
007 cr n||||||||||
040 $aYDX$beng$erda$epn$cYDX$dJSTOR$dOCLCF$dHTM$dCSA$dOCLCO$dOCL$dOCLCO$dOCLCQ
020 $a9781781884751$q(electronic bk.)
020 $a1781884757$q(electronic bk.)
020 $z1781884730
020 $z9781781884737
035 $a(OCoLC)1196378571
037 $a22573/ctv16k2rrs$bJSTOR
043 $ae-gx---$ae-au---$ae-uk---
050 4 $aPN2595$b.D68 2017eb
082 04 $a792.0941$223
100 1 $aDove, Richard,$eauthor$0http://id.loc.gov/authorities/names/no2004037053$1http://viaf.org/viaf/93861222
245 10 $aForeign parts :$bGerman and Austrian actors on the British stage 1933-1960 /$cRichard Dove.
264 1 $aCambridge :$bLegenda, an imprint of the Modern Humanities Research Association,$c2017.
264 4 $c©2017
300 $a1 online resource (202 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aGermanic Literatures ;$v15
520 $aForeign Parts offers a case study in Anglo-German relations in the theatre. How British was the British theatre during and after the Second World War? This book tells the unique story of five German-speaking actors who, after arriving as refugees from Nazi Germany, made the transition to the British stage in a period of heightened nationalism before and during World War II. While the emotional intensity of their performances won the applause of audiences and the approval of critics, their success also depended on the support of British theatre personalities - from Alec Clunes and Tyrone Guthrie to actors Sybil Thorndike and John Gielgud. The book also recounts their role in British propaganda broadcasts to Germany, including Martin Miller's satirical impersonation of his fellow-Austrian Adolf Hitler and Lucie Mannheim's anti-Nazi version of the popular hit 'Lilli Marlene'.
650 0 $aActors$zGermany.
650 0 $aActors$zAustria.
650 0 $aTheater$zGreat Britain$xHistory$y20th century.
650 6 $aActeurs$zAllemagne.
650 6 $aActeurs$zAutriche.
650 6 $aThéâtre$zGrande-Bretagne$xHistoire$y20e siècle.
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
650 7 $aActors.$2fast$0(OCoLC)fst00796296
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
651 7 $aAustria.$2fast$0(OCoLC)fst01204901
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
648 7 $a1900-1999$2fast
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$z1781884730$z9781781884737$w(DLC) 2017478806$w(OCoLC)1010958329
830 0 $aGermanic literatures ;$v15.
856 40 $3JSTOR$uhttps://www.jstor.org/stable/10.2307/j.ctv16km0zf
938 $aYBP Library Services$bYANK$n301545547
029 1 $aAU@$b000068008503
994 $aZ0$bGTX
948 $hNO HOLDINGS IN GTX - 343 OTHER HOLDINGS