MARC record from Internet Archive

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001 ocn907131902
003 OCoLC
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008 150626t20152015miua b 001 0 eng d
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050 00 $aGR340$b.M87 2015
055 3 $aGR340$b.M28 2015
082 04 $a398.20952$223
100 1 $aMurai, Mayako,$eauthor.
245 10 $aFrom Dog bridegroom to Wolf girl :$bcontemporary Japanese fairy-tale adaptations in conversation with the West /$cMayako Murai.
264 1 $aDetroit, Michigan :$bWayne State University Press,$c[2015]
264 4 $c©2015
300 $aviii, 178 pages :$billustrations (some color) ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aSeries in fairy-tale studies
504 $aIncludes bibliographical references (pages 157-167) and index.
505 0 $aThe depth of fairy tales : reclaiming wonder for adults -- Tawada Yoko's Stories of (un)metamorphosis -- Ogawa Yoko's Invitation to the bloody chamber -- Yanagi Miwa's Dismantling of grandmother's house -- Konoike Tomoko's Wolf girls in the woods.
520 $aAs in the United States, fairy-tale characters, motifs, and patterns (many from the Western canon) have pervaded recent Japanese culture. Like their Western counterparts, these contemporary adaptations tend to have a more female-oriented perspective than traditional tales and feature female characters with independent spirits. In From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West, Mayako Murai examines the uses of fairy tales in the works of Japanese women writers and artists since the 1990s in the light of Euro-American feminist fairy-tale re-creation and scholarship. After giving a sketch of the history of the reception of European fairy tales in Japan since the late nineteenth century, Murai outlines the development of fairy-tale retellings and criticism in Japan since the 1970s. Chapters that follow examine the uses of fairy-tale intertexts in the works of four contemporary writers and artists that resist and disrupt the dominant fairy-tale discourses in both Japan and the West. Murai considers Tawada Yoko's reworking of the animal bride and bridegroom tale, Ogawa Yoko's feminist treatment of the Bluebeard story, Yanagi Miwa's visual restaging of familiar fairy-tale scenes, and Konoike Tomoko's visual representations of the motif of the girl's encounter with the wolf in the woods in different media and contexts. Forty illustrations round out Murai's criticism, showing how fairy tales have helped artists reconfigure oppositions between male and female, human and animal, and culture and nature. From Dog Bridegroom to Wolf Girl invites readers to trace the threads of the fairy-tale web with eyes that are both transcultural and culturally sensitive in order to unravel the intricate ways in which different traditions intersect and clash in today's globalising world. --Publisher description.
630 07 $aEuropa$2gnd
610 27 $aChōsen Kōgei Kenkyūkai$2gnd
650 0 $aFairy tales$zJapan$xHistory and criticism$y21st century.
650 0 $aFairy tales$vCross-cultural studies.
650 7 $aFairy tales.$2fast$0(OCoLC)fst00919916
651 7 $aJapan.$2fast$0(OCoLC)fst01204082
650 7 $aFeminismus$2gnd
650 7 $aMärchenforschung$2gnd
651 7 $aAmerika$2gnd
650 7 $aLitteraturvetenskap$xkonst$xsagor$xgenus$zJapan.$2kao
650 7 $aFörfattare$xkonstnärer.$2kao
650 7 $aLiterary studies$xart$xfairy tales$xgender$zJapan.$2kao//eng
650 7 $aAuthors$xartists.$2kao//eng
650 7 $aContes japonais$xHistoire et critique.$2ram
650 7 $aContes$xÉtudes transculturelles.$2ram
650 7 $aSagoforskning$xgenusaspekter.$2sao
650 7 $aBearbetning (litteraturvetenskap)$xgenusaspekter.$2sao
650 7 $aSagor$xi konsten.$2sao
648 7 $a2000-2099$2fast
655 4 $aCross-cultural studies.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aCross-cultural studies.$2fast$0(OCoLC)fst01423769
830 0 $aSeries in fairy-tale studies.
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938 $aBaker and Taylor$bBTCP$nBK0016568692
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