Record ID | ia:gauguinsskirt0000eise |
Source | Internet Archive |
Download MARC XML | https://archive.org/download/gauguinsskirt0000eise/gauguinsskirt0000eise_marc.xml |
Download MARC binary | https://www.archive.org/download/gauguinsskirt0000eise/gauguinsskirt0000eise_meta.mrc |
LEADER: 04604cam 2200853 a 4500
001 ocm36742814
003 OCoLC
005 20201108221359.0
008 960808s1997 nyua b 001 0beng d
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050 00 $aND553.G27$bE35 1997
080 $a75(44)-18/19-GAU
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100 1 $aEisenman, Stephen.
245 10 $aGauguin's skirt /$cStephen F. Eisenman.
260 $aNew York :$bThames and Hudson,$c1997.
300 $a232 pages :$billustrations (some color) ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aInterplay (London, England : Thames and Hudson)
504 $aIncludes bibliographical references (pages 206-227) and index.
520 $aGauguin's Skirt is about contemporary Tahitians and a long-dead French painter, sex today and sex in the late nineteenth century, and colonialism new and old. It is concerned with Paul Gauguin's practices as an artist and with the practice of daily life in fin de siecle Polynesia. Written on the boundary between art history and anthropology, Gauguin's Skirt enters the domains of biography and mystery.
520 8 $aPaul Gauguin travelled to Tahiti in 1891 in search of an exotic paradise. What he found instead was a French colony ostentatiously divided by race, sex and class. At once, the artist began to explore the complexities of his world through the media of drawing, painting, printmaking and sculpting. These works depict ancient and modern Tahitians at labour and leisure and the fecund landscape of Polynesia; they also expose the contradictory perspective of an avant-garde artist exiled both from the modern French metropolis and from the secrets and traditions of the indigenous Maohi culture. Based upon extensive archival and ethnographic research in France and Tahiti, Gauguin's Skirt challenges interpretations of the political and gender content of the notorious artist's pictures. It compares European and Polynesian sexualities and spiritualities, and argues that many of Gauguin's most famous pictures are far more knowing than had previously been supposed.
505 0 $aExotic scenarios -- Sex in Tahiti -- Death in the Marquesas -- Primitivism and difference.
600 10 $aGauguin, Paul,$d1848-1903.
650 0 $aPainters$zFrance$vBiography.
650 0 $aSex customs$zFrench Polynesia$zTahiti (Island)
651 0 $aTahiti (French Polynesia : Island)$xSocial life and customs.
600 14 $aGauguin, Paul.
600 16 $aGauguin, Paul,$d1848-1903.
650 6 $aPeintres$zFrance$xBiographies.
650 6 $aVie sexuelle$zTahiti.
651 6 $aTahiti (Polynésie française)$xMœurs et coutumes.
600 17 $aGauguin, Paul,$d1848-1903$2fast$0(OCoLC)fst00035648
650 7 $aManners and customs.$2fast$0(OCoLC)fst01007815
650 7 $aPainters.$2fast$0(OCoLC)fst01050530
650 7 $aSex customs.$2fast$0(OCoLC)fst01114306
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
651 7 $aFrench Polynesia$zTahiti (Island)$2fast$0(OCoLC)fst01729331
650 17 $aSchilderijen.$2gtt
600 17 $aGauguin, Paul,$d(1848-1903)$xCritique et interprétation.$2ram
651 7 $aTahiti (Polynésie française ; île)$xdans l'art.$2ram
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
830 0 $aInterplay (London, England : Thames and Hudson)
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