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LEADER: 04604cam 2200853 a 4500
001 ocm36742814
003 OCoLC
005 20201108221359.0
008 960808s1997 nyua b 001 0beng d
010 $a 96061176
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015 $aGB9735751$2bnb
019 $a36955242$a37695398$a1000785962
020 $a0500017662
020 $a9780500017661
020 $a050028038X
020 $a9780500280386
035 $a(OCoLC)36742814$z(OCoLC)36955242$z(OCoLC)37695398$z(OCoLC)1000785962
042 $alccopycat
043 $ae-fr---$apofp---
050 00 $aND553.G27$bE35 1997
080 $a75(44)-18/19-GAU
082 04 $a759.4
084 $a21.02$2bcl
100 1 $aEisenman, Stephen.
245 10 $aGauguin's skirt /$cStephen F. Eisenman.
260 $aNew York :$bThames and Hudson,$c1997.
300 $a232 pages :$billustrations (some color) ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aInterplay (London, England : Thames and Hudson)
504 $aIncludes bibliographical references (pages 206-227) and index.
520 $aGauguin's Skirt is about contemporary Tahitians and a long-dead French painter, sex today and sex in the late nineteenth century, and colonialism new and old. It is concerned with Paul Gauguin's practices as an artist and with the practice of daily life in fin de siecle Polynesia. Written on the boundary between art history and anthropology, Gauguin's Skirt enters the domains of biography and mystery.
520 8 $aPaul Gauguin travelled to Tahiti in 1891 in search of an exotic paradise. What he found instead was a French colony ostentatiously divided by race, sex and class. At once, the artist began to explore the complexities of his world through the media of drawing, painting, printmaking and sculpting. These works depict ancient and modern Tahitians at labour and leisure and the fecund landscape of Polynesia; they also expose the contradictory perspective of an avant-garde artist exiled both from the modern French metropolis and from the secrets and traditions of the indigenous Maohi culture. Based upon extensive archival and ethnographic research in France and Tahiti, Gauguin's Skirt challenges interpretations of the political and gender content of the notorious artist's pictures. It compares European and Polynesian sexualities and spiritualities, and argues that many of Gauguin's most famous pictures are far more knowing than had previously been supposed.
505 0 $aExotic scenarios -- Sex in Tahiti -- Death in the Marquesas -- Primitivism and difference.
600 10 $aGauguin, Paul,$d1848-1903.
650 0 $aPainters$zFrance$vBiography.
650 0 $aSex customs$zFrench Polynesia$zTahiti (Island)
651 0 $aTahiti (French Polynesia : Island)$xSocial life and customs.
600 14 $aGauguin, Paul.
600 16 $aGauguin, Paul,$d1848-1903.
650 6 $aPeintres$zFrance$xBiographies.
650 6 $aVie sexuelle$zTahiti.
651 6 $aTahiti (Polynésie française)$xMœurs et coutumes.
600 17 $aGauguin, Paul,$d1848-1903$2fast$0(OCoLC)fst00035648
650 7 $aManners and customs.$2fast$0(OCoLC)fst01007815
650 7 $aPainters.$2fast$0(OCoLC)fst01050530
650 7 $aSex customs.$2fast$0(OCoLC)fst01114306
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
651 7 $aFrench Polynesia$zTahiti (Island)$2fast$0(OCoLC)fst01729331
650 17 $aSchilderijen.$2gtt
600 17 $aGauguin, Paul,$d(1848-1903)$xCritique et interprétation.$2ram
651 7 $aTahiti (Polynésie française ; île)$xdans l'art.$2ram
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
830 0 $aInterplay (London, England : Thames and Hudson)
938 $aBaker & Taylor$bBKTY$c29.95$d22.46$i0500017662$n0002952821$sactive
938 $aBaker and Taylor$bBTCP$n96061176
938 $aYBP Library Services$bYANK$n1564494
029 1 $aAU@$b000013026475
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029 1 $aAU@$b000046644812
029 1 $aAU@$b000055122060
029 1 $aCBK$b042526183
029 1 $aNLNZL$b996411503502836
029 1 $aNOK$b0500017662
029 1 $aNZ1$b3943038
029 1 $aNZ1$b641150
029 1 $aUNITY$b042526183
029 1 $aYDXCP$b1347117
029 1 $aYDXCP$b1564494
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994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 506 OTHER HOLDINGS