MARC record from Internet Archive

LEADER: 04402cam 2200697 i 4500
001 ocn156891535
003 OCoLC
005 20211214214543.0
008 080416s2008 enkac b 001 0 eng
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019 $a1001099787$a1008360573
020 $a9781861893574
020 $a1861893574
035 $a(OCoLC)156891535$z(OCoLC)1001099787$z(OCoLC)1008360573
041 1 $aeng$hger
042 $aukscp
043 $ae-it---
050 4 $aND623.B39$bB38 2008
082 04 $a759.5$222
100 1 $aBätschmann, Oskar,$d1943-$eauthor.
240 10 $aGiovanni Bellini.$lEnglish
245 10 $aGiovanni Bellini /$cOskar Bätschmann.
264 1 $aLondon :$bReaktion Books,$c[2008]
300 $a256 pages :$billustrations (some color), portraits ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aTranslation of: Giovanni Bellini : Meister der venezianischen Malerei.
504 $aIncludes bibliographical references (pages 220-246) and index.
520 $aIdentified by Albrecht Dürer in the sixteenth century as Venice's foremost painter, and hailed in the nineteenth by Jacob Burckhardt as the 'savior' of Venetian painting, Giovanni Bellini is a pivotal figure in the development of Italian Renaissance art. In this lavishly illustrated book renowned art historian Oskar Bätschmann charts the fraught trajectory of Bellini's career, highlighting the crucial works that established his far-reaching influence in the Renaissance. Bellini struggle to break free from the long shadows cast both by his father, Jacopo, and by Bellini's brother-in-law, Andrea Mantegna, and Bätschmann traces out Bellini's development of distinct aesthetic and painting techniques that enabled him to set himself apart. Bellini also insisted on choosing his own subjects and themes regardless of the preferences of his patron Isabella d'Este, and he thus set new standards regarding the independent role of the artist. Anchoring Bätschmann's analysis are a wealth of reproductions that include such famous works as The Feast of the Gods, the various Virgin and Child compositions and Bellini's lauded altarpieces made for the churches of SS. Giovanni e Paolo, S. Giobbe and S. Zaccaria. Drawing on these masterpieces, Bätschmann argues that Bellini's artistry and skillful blending of colors created a new aesthetic more akin to music than to previous approaches to painting. And by leading viewers to understand this subtle, refined sensibility, Bellini made them into more knowledgeable admirers of art.
505 0 $aTraining -- Orientations -- Transformations -- Invention -- Composition -- Harmony.
600 10 $aBellini, Giovanni,$d1426?-1516$xCriticism and interpretation.
650 0 $aPainting, Italian$y16th century.
650 0 $aArt, Renaissance$zItaly$zVenice.
650 0 $aPainters$zItaly$zVenice.
600 17 $aBellini, Giovanni,$d1426?-1516$2fast$0(OCoLC)fst01807463
650 7 $aArt, Renaissance.$2fast$0(OCoLC)fst00816786
650 7 $aPainters.$2fast$0(OCoLC)fst01050530
650 7 $aPainting, Italian.$2fast$0(OCoLC)fst01050910
651 7 $aItaly$zVenice.$2fast$0(OCoLC)fst01204473
600 17 $aBellini, Giovanni,$d1426?-1516$xCriticism and interpretation.$2nli
650 7 $aPainting, Italian$y16th century.$2nli
650 7 $aArt, Renaissance$zItaly$zVenice.$2nli
650 7 $aPainters$zItaly$zVenice.$2nli
600 17 $aBellini, Giovanni.$2swd
648 7 $a1500-1599$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
938 $aBaker & Taylor$bBKTY$c55.00$d41.25$i1861893574$n0007226665$sactive
938 $aBrodart$bBROD$n07238975$c$55.00
938 $aBaker and Taylor$bBTCP$nBK0007226665
938 $aCoutts Information Services$bCOUT$n5940009
938 $aYBP Library Services$bYANK$n2601855
938 $aBlackwell Book Service UK$bBBUK$nL9781375$c39.95
029 1 $aAU@$b000042976591
029 1 $aNZ1$b12025033
029 1 $aUNITY$b109006119
029 1 $aUKMGB$b013795981
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 430 OTHER HOLDINGS