MARC record from Internet Archive

LEADER: 05522cam 2201153 a 4500
001 ocm36179030
003 OCoLC
005 20110603162858.0
008 970102s1997 nyua bkq 001 0 eng
010 $a 97004337
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050 00 $aML3470$b.T4 1997
082 00 $a781.63/09$221
084 $a24.65$2bcl
100 1 $aTaylor, Timothy Dean.
245 10 $aGlobal pop :$bworld music, world markets /$cTimothy D. Taylor.
260 $aNew York :$bRoutledge,$c1997.
300 $axxiii, 271 p. :$bill. ;$c24 cm.
504 $aIncludes discography (p. [233]-235), filmography (p. 236), bibliographical references (p. 242-258), and index.
505 0 $a1. Popular Musics and Globalization. Hasn't World Music Been Around for Thousands of Years? Welcome to the Market. World Musicians. World Music Listeners. The Discourses of World Music -- 2. "Nothin' but the Same Old Story": Old Hegemonies, New Musics. Peter Gabriel: Us. The Work of Art in an Era of Minimal Reproduction. Kronos Quartet: Pieces of Africa -- 3. Strategies of Resistance. Ladysmith Black Mambazo: Two Worlds One Heart / Rhoma Irama: "Quran dan Koran" Djur Djura: Women of the (Third) World, Unite! -- 4. A Music of One's Own. Pauline Oliveros. D'Cuckoo: Umoja -- 5. Strategic Inauthenticity. Youssou N'Dour: "A Modern Griot" Angelique Kidjo: "Let's Create A Better Continent" Whose Authenticity? -- 6. Anglo-Asian Self-Fashioning. Sheila Chandra: "From Me You've Stolen East and West" Apache Indian's No Reservations: "A Very British Sound" Bhangra in the U.S. -- 7. Toward a More Perfect Union: Cross-Cultural Collaborations. Johnny Clegg, Sipho Mchunu, and Juluka.
650 0 $aWorld beat (Music)$xHistory and criticism.
650 17 $aWereldmuziek.$2gtt
650 17 $aMarketing.$2gtt
650 17 $aCulturele invloeden.$2gtt
650 6 $aMusiques du monde$xHistoire et critique.
650 6 $aMusique populaire$xHistoire et critique.
650 7 $aWorld music$xHistoire et critique.$2ram
650 7 $aMusique populaire$xHistoire et critique.$2ram
650 07 $aPopmusik.$2swd
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856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0651/97004337-d.html
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