MARC record from Internet Archive

LEADER: 03284cam a2200589 a 4500
001 ocn318879504
003 OCoLC
005 20200617075107.9
008 090527s2009 txua b 001 0 eng
010 $a 2009020945
040 $aDLC$beng$cDLC$dBTCTA$dUKM$dC#P$dCDX$dLMR$dVP@$dA7U$dDEBBG$dMIX$dBDX$dOCLCF$dP4I$dOCLCQ$dS3O$dSFR$dUKMGB
015 $aGBA984858$2bnb
016 7 $a015357625$2Uk
020 $a9781602581395$q(pbk. ;$qalk. paper)
020 $a1602581398$q(pbk. ;$qalk. paper)
029 1 $aAU@$b000044262637
029 1 $aCDX$b10031613
029 1 $aDEBBG$bBV036036594
029 1 $aGEBAY$b11661883
029 1 $aNLGGC$b321484754
029 1 $aNZ1$b13246743
029 1 $aUKMGB$b015357625
035 $a(OCoLC)318879504
037 $bBaylor Univ Pr, C/O Hopkins Fulfillment Services Po Box 50370, Baltimore, MD, USA, 50370, USA$nSAN 202-7348
050 00 $aML3921.8.P67$bG45 2009
082 00 $a781.64/112$222
084 $a9,2$2ssgn
049 $aMAIN
100 1 $aGilmour, Michael J.
245 10 $aGods and guitars :$bseeking the sacred in post-1960s popular music /$cMichael J. Gilmour.
260 $aWaco, Tex. :$bBaylor University Press,$c©2009.
300 $axvi, 200 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 185-193) and index.
505 0 $aSpirituality in post-1960s lyrics -- Religion on record : popular music's anxiety of influence -- Church in a guitar case : comfort and compassion in popular music -- Outrageous religion : sex, defiance, and obsession with the sacred -- Looking beyond the steeple and menorah -- Fade out : stealing from the sacred and rewriting religion.
520 1 $a"Though American attitudes toward religion changed dramatically during the 1960s, interest in spirituality itself never diminished. If we listen closely, Michael Gilmour contends, we can hear an extensive religious vocabulary in the popular music of the decades that followed - articulating each generation's spiritual quest, a yearning for social justice, and the emotional highs of love and sex." "Probing the lyrical canons of seminal artists including Cat Stevens, the Rolling Stones, Bob Dylan, Eric Clapton, Joni Mitchell, Neil Young, U2, Ozzy Osbourne, Pearl Jam, Madonna, and Kanye West, Gilmour considers the way - and reasons why - pop music's secular poets and prophets adopted religious phrases, motifs, and sacred texts."--Jacket.
590 $bArchive
650 0 $aPopular music$xReligious aspects.
650 7 $aPopular music$xReligious aspects.$2fast$0(OCoLC)fst01071454
650 07 $aPopmusik.$2swd
650 07 $aReligion.$2swd
650 7 $aPopulärmusik$xreligiösa aspekter.$2sao
650 7 $aRock$xreligiösa aspekter.$2sao
648 7 $aGeschichte 1970-2010.$2swd
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018928558&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
938 $aBrodart$bBROD$n10490302$c$19.95
938 $aBaker and Taylor$bBTCP$nBK0008327440
938 $aCoutts Information Services$bCOUT$n10031613
994 $a92$bCST
976 $a10017035709