MARC record from Internet Archive

LEADER: 06778cam 2200853Ma 4500
001 ocn794700405
003 OCoLC
005 20220208211512.0
008 091215s2010 mdua obd 001 0 eng d
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020 $a9781421400020
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043 $an-us---
050 4 $aD744.7.U6$bB635 2010
082 04 $a940.53/73$222
100 1 $aBodnar, John E.,$d1944-
245 15 $aThe "Good War" in American memory /$cJohn Bodnar.
260 $aBaltimore :$bJohns Hopkins University Press,$c2010.
300 $a1 online resource (x, 299 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $aOldControl:muse9781421400020.
504 $aIncludes bibliographical references and index.
505 0 $aWartime -- Soldiers write the war -- "No place for weaklings" -- Monuments and mourning -- The split screen -- The outsiders -- The victors -- Conclusion -- Postscript on Iraq.
520 1 $a"2003 Outstanding Academic Title, Choice" ""An uncommonly well balanced account of the political biases of American movies ... A fine read for the generalist yet a scholarly achievement."--Choice" ""You cannot but be seduced and even sometimes bedazzled by Bodnar's clear, well-informed and impartial analysis."--Cercles" ""Bodnar provides a useful provocation. He asks us to think imaginatively about the subtle and complex ways movies communicate ideas and attitudes."--Journal of American History" ""Open minded and even handed, he appreciates the nuances and mixed messages of Hollywood cinema."--American Historical Review" "The "Good War" in American Memory dispels the long-held myth that Americans forged an agreement on why they had to fight in World War II. John Bodnar's sociocultural examination of the vast public debate that took place in the United States over the war's meaning reveals that the idea of the "good war" was highly contested." "Bodnar's comprehensive study of the disagreements that marked the American remembrance of World War II in the six decades following its end draws on an array of sources: fiction and nonfiction, movies, theater, and public monuments. He identifies alternative strands of memory--tragic and brutal versus heroic and virtuous--and reconstructs controversies involving veterans, minorities, and memorials. In building this narrative, Bodnar shows how the idealism of President Franklin Roosevelt's Four Freedoms was lost in the public commemoration of World War II, how the war's memory became intertwined in the larger discussion over American national identity, and how it only came to be known as the "good war" many years after its conclusion."--Jacket
588 0 $aPrint version record.
546 $aEnglish.
650 0 $aNational characteristics, American.
650 0 $aWar and society$zUnited States.
650 0 $aMemory$xSocial aspects$zUnited States.
650 0 $aCollective memory$zUnited States.
650 0 $aWorld War, 1939-1945$xSocial aspects$zUnited States.
650 7 $aCollective memory.$2fast$0(OCoLC)fst01739814
650 7 $aMemory$xSocial aspects.$2fast$0(OCoLC)fst01015940
650 7 $aNational characteristics, American.$2fast$0(OCoLC)fst01033342
650 7 $aSocial aspects.$2fast$0(OCoLC)fst01354981
650 7 $aWar and society.$2fast$0(OCoLC)fst01170447
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
647 7 $aWorld War$d(1939-1945)$2fast$0(OCoLC)fst01180924
648 7 $a1939-1945$2fast
655 4 $aElectronic books.
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