MARC record from Internet Archive

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001 ocm24373172
003 OCoLC
005 20200615190429.0
008 910823s1994 enka b 001 0 eng
010 $a 91033611
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043 $ae-gr---
050 00 $aPA3131$b.R38 1994
082 00 $a882/.0109$220
084 $a18.43$2bcl
084 $aFE 4451$2rvk
100 1 $aRehm, Rush.
245 10 $aGreek tragic theatre /$cRush Rehm.
260 $aLondon ;$aNew York :$bRoutledge,$c1994.
300 $ax, 168 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aTheatre production studies
504 $aIncludes bibliographical references (pages 161-163) and index.
505 0 $aPart I: The social and theatrical background -- 1. The Performance Culture of Athens -- 2. The Festival Context -- 3. Production as Participation -- 4. The Theatre of Dionysus -- 5. Conventions of Production -- Part II: Exemplary plays -- 6. Aeschylus' Oresteia Trilogy -- 7. Sophocles' Oedipus Tyrannus -- 8. Euripides' Suppliant Women -- 9. Euripides' Ion.
520 $aGreek Tragic Theatre is intended for those interested in theatre who want to know how Greek tragedy worked. By analysing how the plays were realized in performance, Rush Rehm sheds new light on these old texts and encourages actors and directors to examine Greek tragedy anew by examining the context in which it was once performed. Emphasizing the political nature of Greek tragedy, as a theatre of, by and for the polis, Rehm characterizes fifth-century Athens as a performance culture, one in which the theatre stood alongside other public forums as a place to confront matters of import and moment. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre whose focus was on the audience.
520 8 $aThe second half of the book examines four exemplary plays, Aeschylus' Oresteia trilogy, Sophocles' Oedipus Tyrannus, and Euripides' Suppliant Women and Ion. Avoiding the critical tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus) on stage and the audience in the theatre.
506 $aOnline version licensed for access by U. of T. users.
600 00 $aAeschylus.$tOresteia.
600 00 $aSophocles.$tOedipus Rex.
600 00 $aEuripides.$tSupplices.
600 00 $aEuripides.$tIon.
650 0 $aGreek drama (Tragedy)$xHistory and criticism.
650 0 $aPolitical plays, Greek$xHistory and criticism.
650 0 $aTheater$zGreece$xHistory$yTo 500.
630 07 $aIon (Euripides)$2fast$0(OCoLC)fst01361728
630 07 $aOedipus Rex (Sophocles)$2fast$0(OCoLC)fst01356030
630 07 $aOresteia (Aeschylus)$2fast$0(OCoLC)fst01357013
630 07 $aSupplices (Euripides)$2fast$0(OCoLC)fst01369458
650 7 $aGreek drama (Tragedy)$2fast$0(OCoLC)fst00947146
650 7 $aPolitical plays, Greek.$2fast$0(OCoLC)fst01069500
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
651 7 $aGreece.$2fast$0(OCoLC)fst01208380
650 17 $aTragedies.$2gtt
650 17 $aGrieks.$2gtt
650 7 $aTragödie$2gnd
650 7 $aTeatro grego.$2larpcal
650 7 $aLiteratura grega (historia e critica)$2larpcal
651 7 $aGriechisch.$2swd
648 7 $aTo 500$2fast
653 0 $aGreek drama$aHistory, to ca. 500
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
830 0 $aTheatre production studies.
856 41 $32003.$uhttp://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=1055739&T=F
856 41 $uhttp://search.ebscohost.com/login.aspx?direct=true&db=ibh&bquery=IB+0-415-11894-8&type=1&site=ehost-live$zAvailable through International Bibliography of Theatre and Dance
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0648/91033611-d.html
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