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MARC record from Internet Archive

LEADER: 01664cam 2200385I 4500
001 ocm03972674
003 OCoLC
005 20211114170521.0
008 780613m19021913gw 001 0 ger
010 $a 03022447
040 $aDLC$beng$cAZU$dAZU$dOCLCG$dCRU$dOCLCF$dOCLCQ$dNOC$dOCLCO$dSFR$dUKMGB
016 7 $a003101809$2Uk
019 $a504055228$a933006911$a1152617024$a1229210868$a1275811496
035 $a(OCoLC)3972674$z(OCoLC)504055228$z(OCoLC)933006911$z(OCoLC)1152617024$z(OCoLC)1229210868$z(OCoLC)1275811496
050 14 $aMT40$b.R53
082 14 $a781.6$bR44
100 1 $aRiemann, Hugo,$d1849-1919.
245 10 $aGrosse Kompositionslehre,$cvon Hugo Riemann.
260 $aBerlin,$aStuttgart,$bW. Spemann,$c1902-13.
300 $a3 volumes$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
340 $m8vo.$2rdabf
505 0 $aBd. 1. Der homophone Satz (Melodielehre und Harmonielehre) 1902--Bd. 2. Der polyphone Satz (Kontrapunkt, Fuge, and Kanon) 1903--3. (Schluss- ) Bd. Der Orchestersatz und der dramatische Gesangstil. 1913.
650 0 $aComposition (Music)
650 7 $aComposition (Music)$2fast$0(OCoLC)fst00871761
776 08 $iOnline version:$aRiemann, Hugo, 1849-1919.$tGrosse Kompositionslehre.$dBerlin, Stuttgart, W. Spemann, 1902-13$w(OCoLC)639561459
856 41 $3Internet Archive, UNC Chapel Hill copy$uhttps://archive.org/details/grossekompositio00riem
029 1 $aGEBAY$b7923922
029 1 $aHEBIS$b049006479
029 1 $aNLGGC$b09114146X
029 1 $aUKMGB$b003101809
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 79 OTHER HOLDINGS