MARC record from Internet Archive

LEADER: 03966cam a2200577 a 4500
001 ocn144518118
003 OCoLC
005 20191109071450.2
008 091127s2011 maug 001 0 eng d
010 $a 2009942240
040 $aBTCTA$beng$cDLC$dBTCTA$dBAKER$dYDXCP$dCPL$dORX$dSINPL$dCDX$dMUU$dGDC$dOCLCF$dUKDBK$dOCLCQ$dDHA$dOCLCQ$dAU@$dPAU
019 $a676607529
020 $a9780495189756$q(hbk.)
020 $a0495189758$q(hbk.)
020 $a9780495905424$q(International ed.)
020 $a0495905429$q(International ed.)
029 1 $aAU@$b000045616343
029 1 $aNZ1$b13313287
035 $a(OCoLC)144518118$z(OCoLC)676607529
042 $alccopycat
050 00 $aMT50$b.A444 2011
082 04 $a781.2/5$222
084 $a781.25$223
049 $aMAIN
100 1 $aAldwell, Edward.
245 10 $aHarmony & voice leading /$cEdward Aldwell, Carl Schachter, Allen Cadwallader.
246 3 $aHarmony and voice leading
250 $a4th ed.
260 $aBoston, MA :$bSchirmer/Cengage Learning,$c©2011.
300 $axvi, 720 pages :$bmusic ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"A clear and accessible volume spanning the entire theory course, Harmony and Voice Leading, Fourth Edition, begins with coverage of basic concepts of theory and harmony and moves into coverage of advanced dissonance and chromaticism. It emphasizes the linear aspects of music as much as the harmonic, and introduces large-scale progressions--linear and harmonic--at an early stage. The fourth edition now includes a chapter introducing species counterpoint and integrates that material into the rest of the text. A new Premium Website for students will provide interactive, guided exercises for new material covered in each unit and musical examples from the literature in both streaming and downloadable format. The Instructor Companion Site will include Guidelines for Instructors, a new instructor's manual written by Allen Cadwallader."--Publisher's website.
505 0 $apt. 1. The primary materials and procedures. Key, scales, and modes -- Intervals -- Rhythm and meter -- Triads and seventh chords -- Introduction to counterpoint -- Procedures of four-pt. Writing. -- pt. 2. I-V-I and its elaborations. I, V, and V7 -- I6, V6, VII6 -- Inversions of V7 -- Leading to V: IV, II, and II6 -- The cadential 6/4 -- VI and IV6 -- Supertonic and subdominant seventh chords -- Other uses of IV, IV6, and VI -- V as a Key Area -- III and VII. -- pt. 3. 5/3, 6/3, And 6/4 Techniques. 5/3-chord techniques -- Diatonic sequences -- 6/3-chord techniques -- 6/4-chord techniques. -- pt. 4. Elements of figuration. Melodic figuration -- Rhythmic figuration. -- pt. 5. Dissonance and chromaticism I. Leading-tone seventh chords -- Mixture -- Remaining uses of seventh chords -- Applied V and VII -- Diatonic modulation. -- pt. 6. Dissonance and chromaticism II. Seventh chords with added dissonance -- The Phrygian II (Neapolitan) -- Augmented sixth chords -- Other chromatic chords -- Chromatic voice-leading techniques -- Chromaticism in larger contexts.
500 $aIncludes indexes.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aHarmony.
650 7 $aHarmony.$2fast$0(OCoLC)fst00951531
700 1 $aSchachter, Carl.
700 1 $aCadwallader, Allen Clayton.
856 42 $3The Sabin W. Colton, Jr., Memorial Fund Home Page$uhttp://hdl.library.upenn.edu/1017.12/366306
856 42 $3The Class of 1932 Fund Home Page$uhttp://hdl.library.upenn.edu/1017.12/366302
938 $aBaker & Taylor$bBKTY$c149.95$d149.95$i0495189758$n0006766398$sactive
938 $aBaker and Taylor$bBTCP$nBK0006766398
938 $aCoutts Information Services$bCOUT$n10575507
938 $aDawson Books$bDAWN$nDAW13353227
938 $aYBP Library Services$bYANK$n2886459
994 $a92$bERR
976 $a31927002066386