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LEADER: 03632cam a22003974a 4500
001 2010046889
003 DLC
005 20110706124229.0
008 101103s2011 enka b 001 0 eng
010 $a 2010046889
020 $a9780521195959
020 $a0521195950
020 $a9780521186520 (pbk.)
020 $a0521186528 (pbk.)
035 $a(OCoLC)ocn681536395
040 $aDLC$cDLC$dYDX$dYDXCP$dERASA$dBWX$dIUL$dCDX$dDLC
042 $apcc
043 $ae-fr---
050 00 $aP96.H462$bF84 2011
082 00 $a944.081/2$222
084 $aHIS010000$2bisacsh
100 1 $aDatta, Venita,$d1961-
245 10 $aHeroes and legends of fin-de-siècle France :$bgender, politics, and national identity /$cVenita Datta.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c2011.
300 $axi, 264 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 239-254) and index.
505 0 $aIntroduction: the fin-de-siècle cult of heroes -- 1. Gender, class, and heroism in the Bazar de la Charité fire of 1897 -- 2. Cyrano: a hero for the fin de siècle? -- 3. 'L'appel au soldat': visions of the Napoleonic legend in popular culture -- 4. On the boulevards: representations of Joan of Arc in the popular theater -- 5. Opium, gambling, and the demimondaine: the Ullmo spy case of 1907-1908 -- Conclusion: from one war to the next: the end of heroes?.
520 $a"In Heroes and Legends of Fin-de-Siècle France Venita Datta examines representations of fictional and real heroes in the boulevard theater and mass press during the fin de siècle (1880-1914), illuminating the role of gender in the construction of national identity during this formative period of French history. The popularity of the heroic cult at this time was in part the result of defeat in the Franco-Prussian War in 1870, as well as a reaction to changing gender roles and collective guilt about the egoism and selfishness of modern consumer culture. The author analyzes representations of historical figures in the theater, focusing on Cyrano de Bergerac, Napoleon and Joan of Arc, and examines the press coverage of heroes and anti-heroes in the Bazar de la Charite; fire of 1897 and the Ullmo spy case of 1907"--$cProvided by publisher.
520 $a"In Heroes and Legends of Fin-de-Sic̈le France Venita Datta examines representations of fictional and real heroes in the boulevard theater and mass press during the fin de sic̈le (1880-1914), illuminating the role of gender in the construction of national identity during this formative period of French history. The popularity of the heroic cult at this time was in part the result of defeat in the Franco-Prussian War in 1870, as well as a reaction to changing gender roles and collective guilt about the egoism and selfishness of modern consumer culture. The author analyzes representations of historical figures in the theater, focusing on Cyrano de Bergerac, Napoleon, and Joan of Arc, and examines the press coverage of heroes and anti-heroes in the Bazar de la Charit ̌fire of 1897 and the Ullmo spy case of 1907"--$cProvided by publisher.
650 0 $aHeroes$zFrance$xHistory.
650 0 $aWomen heroes$zFrance$xHistory.
650 0 $aNationalism$zFrance$xHistory.
650 0 $aSex role$zFrance$xHistory.
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy1102/2010046889-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy1102/2010046889-d.html
856 41 $3Table of contents only$uhttp://catdir.loc.gov/catdir/enhancements/fy1102/2010046889-t.html