| Record ID | ia:hiphopjapanrappa0000cond |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/hiphopjapanrappa0000cond/hiphopjapanrappa0000cond_marc.xml |
| Download MARC binary | https://www.archive.org/download/hiphopjapanrappa0000cond/hiphopjapanrappa0000cond_meta.mrc |
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008 060328s2006 ncua b 001 0 eng
010 $a 2006010440
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100 1 $aCondry, Ian.
245 10 $aHip-hop Japan :$brap and the paths of cultural globalization /$cIan Condry.
260 $aDurham :$bDuke University Press,$c2006.
300 $ax, 249 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 235-245) and index.
505 0 $aIntroduction : hip-hop, Japan, and cultural globalization -- Yellow b-boys, black culture, and the Elvis effect -- Battling hip-hop samurai -- Genba globalization and locations of power -- Rap fans and consumer culture -- Rhyming in Japanese -- Women rappers and the price of cutismo -- Making money, Japan-style -- Conclusion : lessons of hip-hop globalization.
520 1 $a"In this ethnography Ian Condry interprets Japan's vibrant hip-hop scene, explaining how a music and culture that originated halfway around the world is appropriated and remade in Tokyo clubs and recording studios. Illuminating different aspects of Japanese hip-hop, Condry chronicles how self-described "yellow B-Boys" express their devotion to "black culture," how they combine the figure of the samurai with American rapping techniques and gangsta imagery, and how underground artists compete with pop icons to define "real" Japanese hip-hop. He discusses how rappers manipulate the Japanese language to achieve rhyme and rhythmic flow and how Japan's female rappers struggle to find a place in a male-dominated genre. Condry pays particular attention to the messages of emcees, considering how their raps take on subjects including Japan's education system, its sex industry, teenage bullying victims turned schoolyard murderers, and even America's handling of the war on terror."--Jacket.
650 0 $aRap (Music)$zJapan$xHistory and criticism.
650 0 $aCulture and globalization$zJapan.
650 7 $a24.65 popular and light music.$0(NL-LeOCL)077601572$2bcl
650 7 $aCulture and globalization.$2fast$0(OCoLC)fst01736229
650 7 $aRap (Music)$2fast$0(OCoLC)fst01089951
651 7 $aJapan.$2fast$0(OCoLC)fst01204082
650 7 $aGlobalisierung$2gnd
650 7 $aHip-Hop$2gnd
650 7 $aKultur$2gnd
650 7 $aRap$2gnd
651 7 $aJapan$2gnd
650 17 $aHiphop.$2gtt
651 7 $aJapan.$2gtt
650 7 $aRap (musique)$zJapon$xHistoire et critique.$2ram
650 7 $aCulture$zJapon.$2ram
650 07 $aRap.$2swd
651 7 $aJapan.$2swd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aCondry, Ian.$tHip-hop Japan.$dDurham : Duke University Press, 2006$w(OCoLC)639682212
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip0611/2006010440.html
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015474183&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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