MARC record from Internet Archive

LEADER: 06057cam a22007094i 4500
001 ocn772611107
003 OCoLC
005 20191109071228.3
008 120110s2012 mdu b 001 0 eng
010 $a 2012000571
040 $aDLC$beng$erda$cDLC$dYDX$dBTCTA$dYDXCP$dBDX$dCDX$dBWX$dGWC$dEEK$dYUS$dOCLCQ$dOCLCF$dOCLCQ$dCHVBK$dOCLCO$dSWW$dOCLCQ$dIOD$dSFR$dOCLCA$dCEF$dTKN$dGZN$dTYC$dIOW$dERR$dOCLCQ$dPAU$dTWJ$dXIM$dSNN$dNJR$dVAN$dKNM$dBGU$dCWY$dWYU$dTCJ$dIOG$dYOU$dGDC$dLGG$dOCLCQ$dU3G$dCBA$dDKC$dERL$dOCLCQ$dOCLCO$dOCLCA
020 $a9780739174913$q(cloth ;$qalk. paper)
020 $a0739174916$q(cloth ;$qalk. paper)
020 $a9780739174920$q(pbk. ;$qalk. paper)
020 $a0739174924$q(pbk. ;$qalk. paper)
020 $a9780739174937$q(electronic)
020 $a0739174932$q(electronic)
024 8 $a40021085081
029 1 $aAU@$b000048454541
029 1 $aCHDSB$b006050875
029 1 $aCHSLU$b001169744
029 1 $aCHVBK$b123937027
029 1 $aCHVBK$b325883017
029 1 $aGBVCP$b683309862
029 1 $aNZ1$b14302531
035 $a(OCoLC)772611107
037 $bRowman & Littlefield Pub Inc, 4501 Forbes Blvd Ste 200, Lanham, MD, USA, 20706$nSAN 253-2387
042 $apcc
043 $an-us---
050 00 $aML3531$b.R225 2012
082 00 $a782.4216490973$223
049 $aMAIN
100 1 $aRabaka, Reiland,$d1972-
245 10 $aHip hop's amnesia :$bfrom blues and the black women's club movement to rap and the hip hop movement /$cReiland Rabaka.
264 1 $aLanham, Maryland :$bLexington Books,$c[2012]
300 $axxx, 354 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 285-335) and index.
505 0 $aAfrican American movement music: on hip hop's "partial or total loss of memory" surrounding classical black popular music and classical black popular movements -- Remix 1: "Back to the old school!": on the "old school" origins and evolution of rap music, hip hop culture, and the hip hop movement -- Remix 2: "Lifting as we climb!": classic blues queens and the black women's club movement, neo-soul sistas and the hip hop women's movement -- Remix 3: Jazzmatazz: from classic jazz and bebop to jazz rap and hip hop -- Remix 4: "If we must die!": the new Negro movement, the Harlem renaissance, and the homosexual hip hop movement -- Remix 5: The hip hop movement: from merely rap music to a major multi-issue socio-political movement.
520 $aFrom the publisher. What did rap music and hip hop culture inherit from the spirituals, classic blues, ragtime, classic jazz, and bebop? What did rap music and hip hop culture inherit from the Black women's club movement, New Negro movement, Harlem Renaissance, Hipster movement, and Black Muslim movement? How did black popular music and black popular culture between 1900 and the 1950s influence white youth culture, especially the Lost Generation and the Beat Generation, in ways that mirror rap music and hip hop culture's influence on contemporary white youth music, culture, and politics? In Hip Hop's Amnesia award-winning author, spoken-word artist, and multi-instrumentalist Reiland Rabaka answers these questions by rescuing and reclaiming the often-overlooked early twentieth century origins and evolution of rap music and hip hop culture. Hip Hop's Amnesia is a study about aesthetics and politics, music and social movements, as well as the ways in which African Americans' unique history and culture has consistently led them to create musics that have served as the soundtracks for their socio-political aspirations and frustrations, their socio-political organizations and nationally-networked movements. The musics of the major African American social and political movements of the 1950s, 1960s, and 1970s were based and ultimately built on earlier forms of "African American movement music." Therefore, in order to really and truly understand rap music and hip hop culture we must critically examine both classical African American musics and the classical African American movements that these musics served as soundtracks for. This book is primarily preoccupied with the ways in which post-enslavement black popular music and black popular culture frequently served as a soundtrack for and reflected the grassroots politics of post-enslavement African American social and political movements. Where many Hip Hop Studies scholars have made clever allusions to the ways that rap music and hip hop culture are connected to and seem to innovatively evolve earlier forms of black popular music and black popular culture, Hip Hop's Amnesia moves beyond anecdotes and witty allusions and earnestly endeavors a full-fledged critical examination and archive-informed re-evaluation of "hip hop's inheritance" from the major African American musics and movements of the first half of the twentieth century: classic blues, ragtime, classic jazz, swing, bebop, the Black women's club movement, the New Negro movement, the Harlem Renaissance, the Bebop movement, the Hipster movement, and the Black Muslim movement.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aRap (Music)$xHistory and criticism.
650 0 $aHip-hop$zUnited States.
650 7 $aHip-hop.$2fast$0(OCoLC)fst00957237
650 7 $aRap (Music)$2fast$0(OCoLC)fst01089951
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aHip-Hop$2gnd
650 7 $aRap$2gnd
650 7 $aSoziale Bewegung$2gnd
650 7 $aAfroamerikanische Musik$2gnd
651 7 $aUSA$2gnd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
938 $aBrodart$bBROD$n102492816$c$42.99
938 $aBaker and Taylor$bBTCP$nBK0010679126
938 $aCoutts Information Services$bCOUT$n20578028
938 $aYBP Library Services$bYANK$n7409268
938 $aYBP Library Services$bYANK$n7423114
994 $a92$bERR
976 $a31927002079736