MARC record from Internet Archive

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005 20210819144857.0
008 690709s1969 njuagh b 001 0 eng
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020 $a9780136083153$q(p)
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050 00 $aML200$b.H58
082 00 $a780/.973
100 1 $aHitchcock, H. Wiley$q(Hugh Wiley),$d1923-2007,$eauthor.
245 10 $aMusic in the United States :$ba historical introduction /$cH. Wiley Hitchcock.
264 1 $aEnglewood Cliffs, N.J. :$bPrentice-Hall,$c[1969]
264 4 $c©1969
300 $a270 pages :$billustrations, music, facsimiles ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPrentice-Hall history of music series
504 $a"Bibliographical notes" at end of each chapter.
505 00 $gPart I.$tTo 1820.$tSacred music in New England.$tProtestant backgrounds ;$tEarly New England psalmody ;$tThe singing-school movement ;$tYankee tunesmiths: the first New England school ;$tSouth of New England.$tThe Pennsylvania Germans ;$tThe Moravians ;$tPhiladelphia and South Carolina --$tSecular music in the urban centers.$tThe rise of concerts and opera ;$tMarches and patriotic songs ;$tOpera airs and other songs ;$tDance music ;$tOther instrumental music --$gPart II.$t1820-1920.$tCultivated and vernacular traditions and the impact of Romanticism --$tThe cultivated tradition, 1820-1865.$tChurch music ;$tSong ;$tPianos and piano music ;$tOrchestras and orchestral music ;$tOpera --$tThe vernacular tradition, 1820-1920.$tReligious music ;$tBlackface minstrelsy ;$tBands and band music ;$tRagtime --$tCultivated tradition 1865-1920.$tThe second New England school ;$tEdward MacDowell ;$tOther currents --$tCharles E. Ives.$tIves's musical thought ;$tIves's music --$gPart III.$tAfter 1920.$tThe 1920s.$tNadia Boulanger and Aaron Copland ;$tEdgard Varese ;$tHenry Cowell ;$tGeorge Gershwin ;$tCity blues and jazz --$tThe 1930s and early 1940s.$tThemes of the period ;$tThomson, Harris, and Blitzstein ;$tThe composer-professors ;$tYounger composers ;$tJazz: swing and bop ;$tMusical comedy --$tAfter World War II.$tTwelve-tone composition and related methods ;$tSystematic serial composition: Milton Babbitt ;$tElectronic music ;$tExperimental music --$tIntersections, interactions, projections.$tJazz, pop music, and the third stream ;$tOther new music.
520 $aThis book provides a chronological look at American music from colonial times to the end of the 20th century. Readers will find a comprehensive treatment of both "serious" and "popular" music in the United States.
650 0 $aMusic$zUnited States$xHistory and criticism.
650 6 $aMusique$zÉtats-Unis$xHistoire et critique.
650 7 $aMusic$2fast$0(OCoLC)fst01030269
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aMusique$zÉtats-Unis$xHistoire et critique.$2ram
650 07 $aMusic$zUnited States$xHistory and criticism.$2wlcarwc
653 0 $aMusic$aU.S
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aHitchcock, H. Wiley (Hugh Wiley), 1923-2007.$tMusic in the United States.$dEnglewood Cliffs, N.J., Prentice-Hall [1969]$w(OCoLC)592465458
776 08 $iOnline version:$aHitchcock, H. Wiley (Hugh Wiley), 1923-2007.$tMusic in the United States.$dEnglewood Cliffs, N.J., Prentice-Hall [1969]$w(OCoLC)609544370
830 0 $aPrentice-Hall history of music series.
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780136083153.pdf
938 $aBaker and Taylor$bBTCP$n69012821
938 $aYBP Library Services$bYANK$n100554999
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