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MARC record from Internet Archive

LEADER: 03369cam a22006131 4500
001 ocm00891689
003 OCoLC
005 20191109071812.9
008 740521s1962 nbuag b s001 0 eng
010 $a 62008280
040 $aDLC$beng$cDLC$dKSU$dWY@$dUQ1$dNIALS$dCNMBL$dUKMGB$dCPL$dOCLCF$dOCLCQ$dOCL$dOCLCQ$dAQ3
016 7 $a015967034$2Uk
019 $a642112712$a988632528$a994527884$a1000620621$a1023835202$a1048207111$a1124090892
029 1 $aAU@$b000010410183
029 1 $aAU@$b000025512675
029 1 $aNLGGC$b05196936X
029 1 $aNZ1$b12760856
035 $a(OCoLC)00891689$z(OCoLC)642112712$z(OCoLC)988632528$z(OCoLC)994527884$z(OCoLC)1000620621$z(OCoLC)1023835202$z(OCoLC)1048207111$z(OCoLC)1124090892
041 1 $aeng$hger
042 $apremarc
050 00 $aML430$b.R563
082 00 $a781.6109
049 $aMAIN
100 1 $aRiemann, Hugo,$d1849-1919,$eauthor.
240 10 $aGeschichte der Musiktheorie im IX.-XIX. Jahrhundert.$n1.-2. Buch.$lEnglish
245 10 $aHistory of music theory, books I and II:$bpolyphonic theory to the sixteenth century;$ctranslated, with a preface, commentary, and notes by Raymond H. Haggh.
246 30 $aPolyphonic theory to the sixteenth century
260 $aLincoln,$bUniversity of Nebraska Press,$c1962.
300 $axx, 431 pages$billustrations, music$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 399-420).
505 0 $aBOOK ONE: ORGANUM - DISCANT - FAUXBORDON -- 1. The Ecclesiastical Modal System -- 2. The THeory of Organum in the 9th and 10th Centuries -- 3. Odod of Cluny. Berno of Reichenau. Hermannus Contractus -- 4. Organum in the 10th and 11th Centuries -- 5. The Discant during the 12th Century -- 6. The Transformation of the Theory of Consonance and Dissonance during the 13th Century -- 7. Gymel and Fauxbourdon -- BOOK II: Mensural Theory and Systematic Counterpoint -- 8. Mensural Theory to the Beginning of the 14th Century -- 9. Composition in Three and More Parts -- 10. The Restitution of Even Meters. Marchettus of Padua. Johannes de Muris -- 11. Counterpoint during the 14th and 15th Centuries --12. The Revision of Mathematical Acoustics. The Consolidation of Contrapuntal Theory to Zarlino -- 13. Musical Ficta in the Motation of the 14th-16th Centuries.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aComposition (Music)$xHistory.
650 0 $aMusic theory$xHistory.
650 6 $aComposition (Musique)$xHistoire.
650 6 $aContrepoint$xHistoire.
650 6 $aMusique$xThéorie$y500-1400 (Moyen Âge)$xHistoire.
650 6 $aMusique$xAcoustique et physique.
650 7 $aMusic theory$2fast$0(OCoLC)fst01030620
650 7 $aComposition (Music)$2fast$0(OCoLC)fst00871761
650 17 $aThéorie musicale.$2rasuqam
650 7 $aContrepoint.$2rasuqam
650 7 $aMensuralisme.$2rasuqam
650 7 $aPolyphonie.$2rasuqam
650 7 $aHistoire.$2rasuqam
650 7 $a16e siècle.$2rasuqam
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aRiemann, Hugo, 1849-1919.$tHistory of music theory, books I and II.$dLincoln, University of Nebraska Press, 1962$w(OCoLC)639617421
994 $a92$bERR
976 $a31927001052338