Record ID | ia:iconologyimagete0000mitc |
Source | Internet Archive |
Download MARC XML | https://archive.org/download/iconologyimagete0000mitc/iconologyimagete0000mitc_marc.xml |
Download MARC binary | https://www.archive.org/download/iconologyimagete0000mitc/iconologyimagete0000mitc_meta.mrc |
LEADER: 03280cam a2200709 a 4500
001 ocm11916440
003 OCoLC
005 20200617075458.9
007 ta
008 850319s1986 ilu b 001 0 eng
010 $a 85001177
040 $aDLC$beng$cDLC$dUKM$dEL$$dBUF$dMUQ$dBAKER$dNLGGC$dBTCTA$dYDXCP$dGBVCP$dOCLCF$dOCL$dOCLCQ$dOCLCA$dOCLCQ$dOMB$dOCLCQ$dICN$dDHA$dOCLCQ$dUKOBU$dJDP$dOCLCQ$dOCLCO$dBGU$dU3G$dLDP
015 $aGB8738177$2bnb
019 $a16683234$a1008468878$a1086714074
020 $a0226532283
020 $a9780226532288
029 1 $aAU@$b000003947346
029 1 $aAU@$b000023917394
029 1 $aDEBSZ$b012075523
029 1 $aGBVCP$b040581640
029 1 $aHR0$b0226532283
029 1 $aNZ1$b176998
029 1 $aNZ1$b3695477
029 1 $aUNITY$b028271742
029 1 $aYDXCP$b131900
029 1 $aYDXCP$b131901
035 $a(OCoLC)11916440$z(OCoLC)16683234$z(OCoLC)1008468878$z(OCoLC)1086714074
050 00 $aN7565$b.M5 1986
082 00 $a704.9/4$219
083 00 $aIconology
084 $a20.20$2bcl
088 $a85001177
049 $aMAIN
100 1 $aMitchell, W. J. T.$q(William John Thomas),$d1942-
245 10 $aIconology :$bimage, text, ideology /$cW.J.T. Mitchell.
260 $aChicago :$bUniversity of Chicago Press,$c1986.
300 $ax, 226 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 209-219) and index.
505 00 $gIntroduction$tIconology --$gPart I.$tThe idea of imagery :$tWhat is an image? --$gPart II.$tImage versus text, figures of the difference :$tPictures and paragraphs: Nelson Goodman and the grammar of difference --$tNature and convention: Gombrich's illusions --$tSpace and time: Lessing's Laocoon and the politics of genre --$tEye and ear: Edmund Burke and the politics of sensibility --$gPart III.$tImage and ideology :$tThe rhetoric of iconoclasm: Marxism, ideology, and fetishism.
520 $aThe author explores the nature of images by comparing them with words. He singles out four theorists -- Nelson Goodman, Ernst Gombrich, G.E. Lessing, and Edmund Burke -- to discuss the structural differences between text and image, eye and ear, nature and convention, and space and time.
590 $bArchive
650 0 $aSymbolism in art.
650 0 $aArt$xThemes, motives.
650 4 $aArte$xTemas, motivos.
650 6 $aSymbolisme dans l'art.
650 6 $aArt$xThèmes, motifs.
650 7 $aArt$xThemes, motives.$2fast$0(OCoLC)fst00815381
650 7 $aSymbolism in art.$2fast$0(OCoLC)fst01140771
650 17 $aIconologie.$2gtt
650 17 $aLiteratuurtheorie.$2gtt
650 17 $aKunsttheorie.$2gtt
653 $aIconology
776 08 $iOnline version:$aMitchell, W. J. T. (William John Thomas), 1942-$tIconology.$dChicago : University of Chicago Press, 1986$w(OCoLC)1085905320
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780226532288.pdf
938 $aBaker & Taylor$bBKTY$c20.00$d20.00$i0226532283$n0000961831$sactive
938 $aBaker and Taylor$bBTCP$n85001177 //r96$c$22.00
938 $aYBP Library Services$bYANK$n131901
994 $a92$bCST
976 $a10011356124