MARC record from Internet Archive

LEADER: 04340cam 2200697 a 4500
001 ocm15790362
003 OCoLC
005 20201023015727.0
008 870416s1987 enk b 001 0 eng
010 $a 87010629
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035 $a(OCoLC)15790362$z(OCoLC)15595103$z(OCoLC)1008056953
050 00 $aBH191$b.S67 1987
082 00 $a700/.1$219
084 $aNB 4500$2rvk
084 $a3,6$2ssgn
084 $a5,1$2ssgn
100 1 $aSprinker, Michael.
245 10 $aImaginary relations :$baesthetics and ideology in the theory of historical materialism /$cMichael Sprinker.
260 $aLondon ;$aNew York, NY :$bVerso,$c1987.
300 $a302 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aPart I. Aesthetics and ideology. 1. Mimesis and allegory: imagination in Ruskin --- 2. Monument and organism: Henry James and the ideology of art --- 3. Poetics and music: Hopkins and Nietzsche --- 4. Poetics of reading --- 5. What is living and what is dead in Chicago criticism ---- Part II. Marxism. 6. The part and the whole: Jameson's historicism --- 7. Politics and theory: Althusser and Sartre --- 8. Between science and ideology: historical determination in the work of Perry Anderson --- 9. Politics and language: Paul de Man and the permanence of ideology --- 10. Imaginary relations: Althusser and materialist aesthetics.
520 $a"This book sets out to clarify the nature of the aesthetic as a category within the theory of historical materialism. It opens with an analysis of Marx's brief discussion of Greek art in the Grundrisse, moves through a series of readings of specifically bourgeois texts, including those of Ruskin, G.M. Hopkins, Nietzsche and Henry James, and then to the terrain of Marxism in the concepts of history underwriting the work of Fredric Jameson and Jean-Paul Sartre. Sprinkler detours through the recent works of Perry Anderson to set the stage for a systematic consideration of the theoretical itinerary and continuing relevance of the contributions of Louis Althusser. Imaginary Relations is a cogently argued attempt to shift the terrain of Marxist theorizing about art from the domain of ideology considered as simply false consciousness to a concept of art which makes aesthetic texts sources of empirical data about the real, historical world."--Publisher description.
650 0 $aCommunist aesthetics.
650 0 $aHistorical materialism.
650 7 $aCommunist aesthetics.$2fast$0(OCoLC)fst00870550
650 7 $aHistorical materialism.$2fast$0(OCoLC)fst00958141
650 7 $aHistorischer Materialismus$2gnd
650 7 $aMarxismus$2gnd
650 7 $aÄsthetik$2gnd
650 07 $aMarxismus.$2swd
650 07 $aÄsthetik.$2swd
650 07 $aHistorischer Materialismus.$2swd
653 $aMarxism$aHistorical materialism
776 08 $iOnline version:$aSprinker, Michael.$tImaginary relations.$dLondon ; New York, NY : Verso, 1987$w(OCoLC)575349953
776 08 $iOnline version:$aSprinker, Michael.$tImaginary relations.$dLondon ; New York, NY : Verso, 1987$w(OCoLC)604961481
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000472963&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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948 $hNO HOLDINGS IN P4A - 294 OTHER HOLDINGS