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MARC record from Internet Archive

LEADER: 01765cam 2200397 a 4500
001 9922034870001661
005 20150423142022.0
008 080714s2009 enka b 001 0 eng
015 $aGBA891470$2bnb
016 7 $a014674757$2Uk
020 $a184511826X (hbk.)
020 $a9781845118266 (hbk.)
020 $a1845118251 (pbk.)
020 $a9781845118259 (pbk.)
035 $a(CSdNU)u361663-01national_inst
035 $a(OCoLC)236120420
035 $a(OCoLC)236120420
035 $a(OCoLC)236120420
040 $aUKM$cUKM$dBAKER$dBTCTA$dYDXCP$dBWKUK$dBWK$dCDX$dSUC$dOrLoB-B
043 $an-us---
049 $aCNUM
050 4 $aPN1993.5.U6$bK467 2009
082 04 $a791.430973$222
100 1 $aKing, Geoff,$d1960-
245 10 $aIndiewood, USA :$bwhere Hollywood meets independent cinema /$cGeoff King.
260 $aLondon ;$aNew York :$bI.B. Tauris ;$aNew York :$bDistributed in the USA by Palgrave Macmillan,$c2009.
300 $a294 p. :$bill. ;$c24 cm.
440 0 $aInternational library of cultural studies ;$v2
504 $aIncludes bibliographical references (p. [279]-285) and index.
505 0 $aIntroduction. Indiewood in contexts -- 1. Being Charlie Kaufman -- 2. Working both ends: Miramax, from Shakespeare in Love to Kill Bill -- 3. Some sort of hybrid: Steven Soderbergh, Traffic and Solaris -- 4. Indiewood inside the studios: American Beauty and Three Kinos -- 5. Indiewood in Focus.
650 0 $aMotion picture industry$zUnited States$xMarketing.
650 0 $aIndependent films$zUnited States.
947 $fCOLS-LIT$hCIRCSTACKS$p$26.13$q1
949 $aPN 1993.5.U6 K467 2009$i31786102385793
994 $a92$bCNU
999 $aPN 1993.5 .U6 K467 2009$wLC$c1$i31786102385793$lCIRCSTACKS$mNULS$rY $sY$tBOOK$u8/12/2009