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LEADER: 04263cam 2200889 a 4500
001 ocm34318541
003 OCoLC
005 20100924151458.0
008 960220s1997 nyug b 001 0 eng
010 $a 96006341
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020 $a0195097084
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050 00 $aML457$b.S52 1997
082 00 $a781.4/3$220
084 $a24.77$2bcl
100 1 $aSherman, Bernard D.
245 10 $aInside early music :$bconversations with performers /$cBernard D. Sherman.
260 $aNew York :$bOxford University Press,$c1997.
300 $axi, 414 p. :$bmusic ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aMedieval music, plainchant, and "otherness" -- The Renaissance, Oxbridge, and Italy -- The Baroque -- Classical and Romantic.
520 $aTwenty-three musicians and conductors discuss the early music movement, in which music is played with the styles and instruments used when the piece was originally written and performed. "Each interview [focuses] on particular composers or styles, touching on heated topics such as how historical evidence should be used, why period instruments might matter, and what 'authenticity' is."--Jacket.
650 0 $aPerformance practice (Music)
650 0 $aStyle, Musical.
650 0 $aMusicians$xInterviews.
650 6 $aPratique de l'exécution (Musique)
650 6 $aStyle musical
650 6 $aMusiciens$xEntretiens
650 17 $aUitvoeringspraktijk.$2gtt
650 17 $aOude muziek.$2gtt
650 17 $aMusici.$2gtt
650 17 $aInterviews (vorm)$2gtt
650 07 $aMusiker$2swd
650 07 $aHistorische Musikpraxis$2swd
650 07 $aInterview$2swd
776 08 $iOnline version:$aSherman, Bernard D.$tInside early music.$dNew York : Oxford University Press, 1997$w(OCoLC)639330060
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0638/96006341-d.html
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy0638/96006341-t.html
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0725/96006341-b.html
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