MARC record from Internet Archive

LEADER: 06082cam a22009974a 4500
001 ocm54974525
003 OCoLC
005 20191109072302.7
008 040412s2004 inua b 001 0 eng
010 $a 2004008468
040 $aDLC$beng$cDLC$dUKM$dC#P$dIUL$dOCL$dBAKER$dIOJ$dNLGGC$dBTCTA$dLVB$dYDXCP$dIG#$dDEBBG$dOCL$dEYM$dOCL$dOCLCQ$dDEBSZ$dILU$dBDX$dEUM$dOCLCO$dP4I$dOCLCA$dOCLCF$dOCLCQ$dOCLCA$dOCLCQ$dWLU$dOCLCO$dDHA$dOCLCQ$dXFF$dOCLCQ$dBUB$dOCLCA$dUKMGB$dOCLCA
015 $aGBA471592$2bnb
016 7 $a013006941$2Uk
019 $a57199801$a1022694008
020 $a025334459X$q(cloth ;$qalk. paper)
020 $a9780253344595$q(cloth ;$qalk. paper)
024 8 $a99809324768
029 1 $aAU@$b000025478939
029 1 $aDEBBG$bBV019656818
029 1 $aDEBSZ$b115334548
029 1 $aHR0$b025334459X
029 1 $aIG#$b9780253344595
029 1 $aNLGGC$b263554058
029 1 $aNZ1$b8407509
029 1 $aUKMGB$b013006941
035 $a(OCoLC)54974525$z(OCoLC)57199801$z(OCoLC)1022694008
042 $apcc
050 00 $aML3845$b.H35 2004
082 00 $a781/.1$222
084 $a24.50$2bcl
084 $aLP 40411$2rvk
084 $aLP 63181$2rvk
084 $aLP 65641$2rvk
084 $aLR 56000$2rvk
049 $aMAIN
100 1 $aHatten, Robert S.
245 10 $aInterpreting musical gestures, topics, and tropes :$bMozart, Beethoven, Schubert /$cRobert S. Hatten.
260 $aBloomington :$bIndiana University Press,$c©2004.
300 $aix, 358 pages :$billustrations ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMusical meaning and interpretation
504 $aIncludes bibliographical references (pages 323-338) and indexes.
505 0 $aMarkedness, topics, and tropes. Semiotic grounding in markedness and style : interpreting a style type in the opening of Beethoven's Ghost Trio, Op. 70, no. 1 -- Expressive doubling, topics, tropes, and shifts in level of discourse : interpreting the third movement of Beethoven's String Quartet in B major, Op. 130 -- From topic to premise and mode : the pastoral in Schubert's Piano Sonata in G Major, D 894 -- The troping of topics, genres, and forms : Bach, Mozart, Beethoven, Schubert, Schumann, Brahms, Bruckner, Mahler -- Musical gesture. Foundational principles of human gesture -- Toward a theory of musical gesture -- Stylistic types and strategic functions of gestures -- Thematic gesture in Schubert : the Piano Sonatas in A Major, D. 959, and A Minor, D 784 -- Thematic gesture in Beethoven : the Sonata for Piano and Cello in C Major, Op. 102, no. 1 -- Gestural troping and agency -- Continuity and discontinuity. From gestural continuity to continuity as premise -- Discontinuity and beyond.
520 1 $a"This book continues to develop Hatten's theory of musical physical based on the principles of semiotic theory as introduced in Musical Meaning in Beethoven (1994). In Part One, Hatten applies his theories of markedness, topics, and tropes to individual works by Beethoven and Schubert, ending the section with a chapter that presents an overview of topics, genres, and forms as tropes in Baroque, Classical, and Romantic music."
520 8 $a"Part Two introduces a new approach by combining critical theory with biological and psychological theories of gesture, thereby surpassing the limits of conventional semiotic analysis. Within this section, Hatten presents analyses of Classical period works by Beethoven, Mozart, and Schubert. Part three extends these ideas into a theory of musical continuity, with several analyses of Beethoven's late works."--Jacket.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791$xCriticism and interpretation.
600 10 $aBeethoven, Ludwig van,$d1770-1827$xCriticism and interpretation.
600 10 $aSchubert, Franz,$d1797-1828$xCriticism and interpretation.
600 16 $aMozart, Wolfgang Amadeus,$d1756-1791$xCritique et interprétation.
600 16 $aBeethoven, Ludwig van,$d1770-1827$xCritique et interprétation.
600 16 $aSchubert, Franz,$d1797-1828$xCritique et interprétation.
600 17 $aBeethoven, Ludwig van,$d1770-1827$2fast$0(OCoLC)fst00042803
600 17 $aMozart, Wolfgang Amadeus,$d1756-1791$2fast$0(OCoLC)fst00050702
600 17 $aSchubert, Franz,$d1797-1828$2fast$0(OCoLC)fst00000102
600 17 $aBeethoven, Ludwig van$d1770-1827$2gnd
600 17 $aMozart, Wolfgang Amadeus$d1756-1791$2gnd
600 17 $aSchubert, Franz$d1797-1828$2gnd
600 17 $aBeethoven, Ludwig ((van))$2swd
600 17 $aMozart, Wolfgang Amadeus.$2swd
600 17 $aSchubert, Franz.$2swd
600 14 $aMozart, Wolfgang Amadeus,$d1756-1791.
600 14 $aBeethoven, Ludwig van,$d1770-1827.
600 14 $aSchubert, Franz,$d1797-1828.
650 0 $aMusic$xSemiotics.
650 6 $aSémiotique et musique.
650 7 $aMusic$xSemiotics.$2fast$0(OCoLC)fst01030442
650 17 $aMuziek.$2gtt
650 17 $aInterpretatie.$2gtt
650 17 $aSemiotiek.$2gtt
650 7 $aMusikalische Semiotik$2gnd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
830 0 $aMusical meaning and interpretation.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip0417/2004008468.html
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=012985321&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012985321&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
938 $aBaker & Taylor$bBKTY$c44.95$d44.95$i025334459X$n0006001002$sactive
938 $aBrodart$bBROD$n02262797$c$44.95
938 $aBaker and Taylor$bBTCP$n2004008468
938 $aIngram$bINGR$n9780253344595
938 $aYBP Library Services$bYANK$n2112805
994 $a92$bERR
976 $a31927002028790