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LEADER: 05387cam 2200457 i 4500
001 9925235207901661
005 20160115053728.1
008 140912t20152015ilua b 001 0 eng c
010 $a 2014035711
020 $a9780226258843$q(cloth ;$qalk. paper)
020 $a022625884X$q(cloth ;$qalk. paper)
020 $z9780226258980$q(e-book)
035 $a99966990158
035 $a(OCoLC)890757514
035 $a(OCoLC)ocn890757514
040 $aICU/DLC$beng$erda$cSTF$dCGU$dDLC$dYDXCP$dBTCTA$dBDX$dOCLCF$dZWZ$dMYG$dZLM$dCDX$dYAM$dCHVBK$dOCLCQ$dZ35
041 1 $aeng$hger
042 $apcc
050 00 $aT11.8$b.T4413 2015
082 00 $a604.2$223
130 0 $aTechnische Bild.$lEnglish.
245 14 $aThe technical image :$ba history of styles in scientific imagery /$cedited by Horst Bredekamp, Vera Du nkel, and Birgit Schneider.
264 1 $aChicago :$bThe University of Chicago Press :$bNew York City :$bPublished in association with the Bard Graduate Center,$c2015.
264 4 $c℗♭2015
300 $ax, 198 pages :$billustrations (some color) ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 182-192) and index.
505 00 $tForeword /$rPeter Miller --$tIntroduction: the image: a cultural technology: a research program for a critical analysis of images /$rHorst Bredekamp, Birgit Schneider, Vera Du nkel --$tMethods. Discourses about pictures: considerations on the particular challenges : natural-scientific pictures pose for the theory of the picture /$rGabriele Werner --$tComparing images. A history of styles of technical imagery: between description and interpretation: a conversation with Horst Bredekamp --$tIconological analysis. Beyond the icons of knowledge: artistic styles and the art history of scientific imagery /$rMatthias Bruhn --$tCase studies. Interacting with images: toward a history of the digital image: the case of graphical user interfaces /$rMargarete Pratschke --$tDigital images. Pictorial tradition and difference: visual knowledge in acquisition science: the case of scanning tunneling microscopy /$rJochen Hennig --$tChains of representations. Thinking with models: on the genesis of James Watson's molecular biology of the gene /$rReinhard Wendler --$tArranging images as tableaux. Technological image series: the project "technik im bild" at the Deutsches Museum, Munich /$rHeike Weber --$tObservation techniques. In the eye of the beholder: Emanuel Goldberg's apparatuses at the international photographic exhibition, Dresden 1909 /$rFranziska Brons --$tObjectivity and evidence. X-ray vision and shadow image: on the specificity of early radiographs and their interpretations around 1900 /$rVera Du nkel --$tVisuality, Visualizing, Imaging. Instrument-aided vision and the imagination: the migration of worms and dragons in early microscopy /$rStefan Ditzen --$tImage noise. Programmed images: systems of notation in seventeenth- and eighteenth century weaving /$rBirgit Schneider --$tDiagrammatics. Early modern images of musical automata: on Athanasius Kircher's Trompe- L'Oreille contemplations in the Quirinal gardens in Rome /$rAngela Mayer-Deutsch --$tPopularizing science. Drawing and the contemplation of nature: natural history around 1600: the case of Aldrovandi's images /$rAngela Fischel.
520 $a"In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody--both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or examples, but as productive agents and distinctive, multilayered elements of the process of generating knowledge. Using beautifully reproduced visuals, this book not only reveals how scientific images play a constructive role in shaping the findings and insights they illustrate, but also--however mechanical or detached from individual researchers' choices their appearances may be--how they come to embody the styles of a period, a mindset, a research collective, or a device. Opening with a set of key questions about artistic representation in science, technology, and medicine, The Technical Image then investigates historical case studies focusing on specific images, such as James Watson's models of genes, drawings of Darwin's finches, and images of early modern musical automata. These case studies in turn are used to illustrate broad themes ranging from "Digital Images" to "Objectivity and Evidence" and to define and elaborate upon fundamental terms in the field. Taken as a whole, this collection will provide analytical tools for the interpretation and application of scientific and technological imagery."--Publisher's description.
546 $aTranslated from the German.
650 0 $aTechnical illustration.
650 0 $aScientific illustration.
650 0 $aDigital images.
700 1 $aBredekamp, Horst,$d1947-$eeditor.
700 1 $aDu nkel, Vera,$eeditor.
700 1 $aSchneider, Birgit,$d1972-$eeditor.
787 08 $iTranslation of:$aTechnische Bild$dBerlin : Akademie Verlag, 2008$w(OCoLC)664114462
947 $hCIRCSTACKS$r31786103027915
980 $a99966990158