MARC record from Internet Archive

LEADER: 04580cam 2200733 a 4500
001 ocm35777328
003 OCoLC
005 20160204044948.0
008 961017s1997 nyua bq 001 0 eng
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020 $a0826410049$q(hardcover : alk. paper)
020 $a9780826410047$q(hardcover : alk. paper)
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050 00 $aPN1998.3.S39$bF75 1997
082 00 $a791.43/0233/092$221
084 $a24.32$2bcl
084 $aAP 51400$2rvk
100 1 $aFriedman, Lawrence S.
245 14 $aThe cinema of Martin Scorsese /$cLawrence S. Friedman.
260 $aNew York :$bContinuum,$c1997.
300 $a200 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and filmography (pages (193)-194) and index.
530 $aAlso issued online.
505 0 $aFlashbacks : an auteur is born -- Our gang : from Elizabeth street to Mean streets -- The way west : making it in Hollywood -- Apocalypse and after : God's lonely man -- The sound(s) of music : from the bands to the band -- That's entertainment : performance as destiny -- Staying alive : other people's projects -- Beat the devil : man and superman -- Millennium approaches : something(s) old, something(s) new ...
520 $aScorsese is one of America's most distinctive and successful filmmakers. For twenty-five years, he has provided audiences with tough, gritty, yet beautifully composed movies - many of them all-time classics. From the urban violence, psychosis, and isolation of Mean Streets, Taxi Driver, The King of Comedy, and Goodfellas, through the opulent lyricism of The Age of Innocence, to the operatic and controversial Raging Bull and The Last Temptation of Christ, Scorsese has not compromised his vision of the human heart and its struggles.
520 8 $aScorsese has wrestled hard with his ambivalence over the legacy of his Catholicism. As a second-generation Sicilian-American, he also has had to come to grips with the stereotypes of organized crime while recognizing the dramatic interest of these fascinating and complex characters. In this book, each of Scorsese's films is thoughtfully discussed in a way that will help readers understand these and other themes in order to discern the overall patterns of the filmmaker's career.
600 10 $aScorsese, Martin$xCriticism and interpretation.
600 16 $aScorsese, Martin$xCritique et interpre tation.
600 17 $aScorsese, Martin.$2fast$0(OCoLC)fst00072245
650 17 $aFilmkunst.$2gtt
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600 14 $aScorsese, Martin - Critique et interpre tation.
600 17 $aScorsese, Martin,$d1942-.$0(DE-588)118811991$2gnd
650 07 $aFilm.$0(DE-588)4017102-4$2gnd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aFriedman, Lawrence S.$tCinema of Martin Scorsese.$dNew York : Continuum, 1997$w(OCoLC)645923940
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