MARC record from Internet Archive

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001 ocm27108002
003 OCoLC
005 20161103122658.0
008 921119s1993 nyu b 001 0 eng
010 $a 92043644
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020 $a0195079434$q(acid-free paper)
020 $a9780195079432$q(acid-free paper)
020 $a0195079434
020 $a9780195079432
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020 $a9780195096354$q(pbk.)
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050 00 $aML3508$b.C62 1993
082 00 $a781.65$220
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100 1 $aCollier, James Lincoln,$d1928-
245 10 $aJazz :$bthe American theme song /$cJames Lincoln Collier.
260 $aNew York :$bOxford University Press,$c1993.
300 $a326 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 277-308) and index.
505 0 $aThe inevitability of jazz in America -- The rise of individualism and the jazz solo -- Going it alone -- Hot rhythm -- The embrace of show business -- Art and the academy -- Jazz and pop -- Black, white, and blue -- The critics -- Local jazz.
520 $aThis book offers readers analysis of musical trends and styles, and explorations of the most potentially explosive issues in jazz today. In "Black, White, and Blue," Collier traces African and European influences on the evolution of jazz in a free-ranging discussion that takes him from the French colony of Saint Domingue (now Haiti) to the orderly classrooms where most music students study jazz today. He argues that although jazz was originally devised by blacks from black folk music, jazz has long been a part of the cultural heritage of musicians and audiences of all races and classes, and is not black music per se. In another essay, Collier provides an analysis of the evolution of jazz criticism, and casts a skeptical eye on the credibility of the emerging "jazz canon" of critical writing and popular history. Other essays include explorations of jazz as an intrinsic and fundamental source of inspiration for American dance music, rock, and pop; the influence of show business on jazz, and vice versa; and the link between the rise of the jazz soloist and the new emphasis on individuality in the 1920s. --From publisher's description.
650 0 $aJazz$xHistory and criticism.
650 0 $aMusic$xSocial aspects.
650 4 $aJazz$xHistoire et critique.
650 4 $aMusique$xAspect social.
650 6 $aJazz$xHistoire et critique.
650 6 $aMusique$xAspect social.
650 7 $aJazz.$2fast$0(OCoLC)fst00982165
650 7 $aMusic$xSocial aspects.$2fast$0(OCoLC)fst01030444
650 17 $aJazz.$2gtt
650 07 $aJazz.$0(DE-588)4028532-7$2gnd
651 7 $aUSA.$0(DE-588)4078704-7$2gnd
650 07 $aJazz.$2swd
651 7 $aUSA.$2swd
653 0 $aJazz
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aCollier, James Lincoln, 1928-$tJazz.$dNew York : Oxford University Press, 1993$w(OCoLC)654545236
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy0726/92043644-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0640/92043644-d.html
880 $6500-00/(2/r$aנושא ישן: Music - Social aspects.
880 $6500-00/(2/r$aנושא ישן: Jazz - history and criticism.
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