| Record ID | ia:jazzconsciousnes0000aust |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/jazzconsciousnes0000aust/jazzconsciousnes0000aust_marc.xml |
| Download MARC binary | https://www.archive.org/download/jazzconsciousnes0000aust/jazzconsciousnes0000aust_meta.mrc |
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001 ocm59011619
003 OCoLC
005 20191109072653.5
008 050413s2005 ctua bk 001 0 eng
010 $a 2005010561
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082 00 $a781.65/089$222
084 $aLS 48200$2rvk
049 $aMAIN
100 1 $aAusterlitz, Paul,$d1957-
245 10 $aJazz consciousness :$bmusic, race, and humanity /$cPaul Austerlitz.
260 $aMiddletown, Conn. :$bWesleyan University Press,$c©2005.
300 $axxii, 260 pages :$billustrations (some color) ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMusic/culture
504 $aIncludes videography and discography (pages 223-225), bibliographical references (p. 227-244) , and index.
505 0 $aJazz consciousness in the United States -- Kente cloth to jazz : a matrix of sound -- Machito and Mario Bauzá : latin jazz in the U.S. mainstream -- Ambivilence and creativity : the jazz tinge in Dominican music -- "Rhythm-music" : jazz in Finland -- My teacher is the human heart : music of Milford Graves.
520 $aDrawing on his background as an ethnomusicologist as well as years of experience as an accomplished jazz musician, Paul Austerlitz argues that jazz--and the world-view or consciousness that surrounds it--embodies an aesthetic of inclusiveness, reaching out from its African American base to embrace all of humanity. He examines jazz in relation to race and national identity in the U.S. and then broadens his scope to consider jazz within the African diaspora and in very different transnational scenes, from the Dominican Republic to Finland. Based on extensive fieldwork, the book explores jazz in an extraordinary range of contexts. One of the central chapters is devoted to the history of the groundbreaking Latin jazz band of Machito and his Afro-Cubans, who were inspired by the dancing of both Harlemites and Jewish mamboniks, while the final chapter includes an extensive interview with the seminal drummer Milford Graves, one of Austerlitz's mentors, who holds that music profoundly influences our biorhythms and indeed shapes our thoughts. --From publisher's description.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 05 $aJazz$xSocial aspects.
600 05 $aJazz$xHistory and criticism.
650 0 $aJazz$xSocial aspects.
650 0 $aJazz$xHistory and criticism.
650 6 $aJazz$xAspect social.
650 6 $aJazz$xHistoire et critique.
650 7 $aJazz.$2fast$0(OCoLC)fst00982165
650 7 $aJazz$xSocial aspects.$2fast$0(OCoLC)fst00982185
650 7 $aJazz$2gnd
650 7 $aSoziale Identität$2gnd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
830 0 $aMusic/culture.
856 41 $3ACLS Humanities E-Book$uhttp://hdl.handle.net/2027/heb.05901
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip0511/2005010561.html
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014623200&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014623200&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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