| Record ID | ia:johnpiperin1930s0000jenk |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/johnpiperin1930s0000jenk/johnpiperin1930s0000jenk_marc.xml |
| Download MARC binary | https://www.archive.org/download/johnpiperin1930s0000jenk/johnpiperin1930s0000jenk_meta.mrc |
LEADER: 04926cam 2200937Ia 4500
001 ocm52376442
003 OCoLC
005 20210116025239.0
008 030605s2003 enka b 001 0 eng d
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050 4 $aN6797.P56$bA4 2003
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084 $a21.02$2bcl
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084 $aK835.615.72$2clc
100 1 $aJenkins, David Fraser.
245 10 $aJohn Piper in the 1930s :$babstraction on the beach /$cDavid Fraser Jenkins, Frances Spalding.
246 3 $aJohn Piper in the nineteen thirties : abstraction on the beach
260 $aLondon :$bMerrell,$c2003.
300 $a192 pages :$billustrations (chiefly color) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished in association with Dulwich Picture Gallery, London.
500 $aCatalog of exhibition at Dulwich Picture Gallery, London 1 April-22 June 2003 and Djanogly Art Gallery, Nottingham 5 July-7 September 2003.
504 $aIncludes bibliographical references (page 189) and index.
505 00 $tJohn Piper in the 1930s: Abstraction on the Beach /$rFrances Spalding$g9 --$tPlates /$rDavid Fraser Jenkins$g67 --$tWritings /$rJohn Piper$g180.
520 1 $a"John Piper was one of the leading Modernist artists of the twentieth century whose work was not only at the forefront of artistic developments but also appealed directly to a wide public. Marking the centenary of Piper's birth in 1903, this book dramatically uncovers the various shifts in his early career while working largely on the south coast of England, from a lyrical, painterly style and lively use of collage, inspired by Picasso and Braque, into pure abstraction, in keeping with International Modernism. The second half of the 1930s saw the order and harmony of Piper's work unsettled by the onset of war, and with it a return to representation in an attempt to find a contemporary idiom with which to express his romantic love of the past. The tension between abstraction and realism in Piper's work of the period is engagingly told and stunningly illustrated in this, the first in-depth exploration of the artist's formative years."--Jacket.
600 10 $aPiper, John,$d1903-1992$xCriticism and interpretation.
600 16 $aPiper, John,$d1903-1992$vExpositions.
600 17 $aPiper, John,$d1903-1992$2fast$0(OCoLC)fst00003258
600 17 $aPiper, John,$d(19..- ...)$xCatalogues d'exposition.$2ram
600 14 $aPiper, John,$d1903-1992.
650 0 $aBeaches in art.
650 0 $aPainting, Abstract$zEngland.
650 0 $aCollage$zEngland.
650 6 $aMer dans l'art$vExpositions.
650 6 $aPeinture abstraite$zAngleterre$vExpositions.
650 6 $aCollage (Art)$zAngleterre$vExpositions.
650 7 $aBeaches in art.$2fast$0(OCoLC)fst00829137
650 7 $aCollage.$2fast$0(OCoLC)fst00867085
650 7 $aPainting, Abstract.$2fast$0(OCoLC)fst01050640
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
650 17 $aSchilderijen.$2gtt
650 17 $aGouaches.$2gtt
650 17 $aCollages.$2gtt
650 17 $aAbstracte schilderkunst.$2gtt
650 7 $aPeinture abstraite$zGrande-Bretagne$xCatalogues d'exposition.$2ram
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aSpalding, Frances,$d1950-
700 1 $aPiper, John,$d1903-1992.
710 2 $aDulwich Picture Gallery.
776 08 $iOnline version:$aJenkins, David Fraser.$tJohn Piper in the 1930s.$dLondon : Merrell, 2003$w(OCoLC)606958682
880 $6500-00/$1$a其他题名: Abstraction on the Beach.
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