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LEADER: 03903cam 2200733 a 4500
001 ocm33102724
003 OCoLC
005 20220706034607.0
008 950818s1995 enkac b 101 0 eng
040 $aUKM$beng$cUKM$dAZS$dNLGGC$dBRI$dYDXCP$dDRB$dBDX$dUKTTE$dOCLCQ$dOCLCO$dOCLCQ$dOCLCF$dBUB$dUKMGB$dDCT$dL2U$dUKCRE$dUKUAL$dIL4J6$dOCLCO$dOCLCQ
015 $aGB9569640$2bnb
016 7 $a006287807$2Uk
019 $a1008412436
020 $a0853233497$q(pbk.)
020 $a9780853233497$q(pbk.)
035 $a(OCoLC)33102724$z(OCoLC)1008412436
050 4 $aN6888.B463$bA4 1995
072 7 $a05N$2sigle
080 $a73(43)BEU
082 04 $a709.2$220
084 $a20.70$2bcl
245 00 $aJoseph Beuys :$bdiverging critiques /$ceditor David Thistlewood ; Critical Forum coordinator Anne Macphee.
260 $aLiverpool :$bLiverpool University Press and Tate Gallery Liverpool,$c1995.
300 $aviii, 214 pages :$billustrations, portraits ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aTate Gallery Liverpool Critical Forum ;$vv. 2
500 $aConference proceedings.
504 $aIncludes bibliographical references (pages 195-204) and index.
530 $aAlso issued online.
540 $aCurrent Copyright Fee: GBP20.00$c0.$5Uk
520 $aThis work presents contributions to the conference held in conjunction with the display "Joseph Beuys: the Revolution is US", mounted at the Tate Gallery Liverpool from April 1993 to January 1994. The objectives of the conference were to reveal the latest thinking on the subject of Joseph Beuys and to encourage new interpretation stimulated by the display, some of which is included here in complementary papers. The results are presented here as a number of diverging critiques, for it is evident that with increasing historical perspective the work of Beuys informs - and is informed by - a great many social and cultural issues. Though these were perhaps evident in first generation studies of Beuys, they are being subjected to highly specific critical analysis for the first time, as interest in his work passes beyond the range of his strong influence of his personality. This volume therefore approaches Beuys work from the standpoints of a number of fields of interest - psychology, religion, gender, politics, and art history.
600 10 $aBeuys, Joseph$xCriticism and interpretation.
600 10 $aBeuys, Joseph,$d1921-1986$xCriticism and interpretation.
600 14 $aBeuys, Joseph,$d1921-1986.
651 4 $aGermany.
650 7 $a20.70 European art.$0(NL-LeOCL)077594983$2bcl
600 17 $aBeuys, Joseph.$2fast$0(OCoLC)fst00042230
650 17 $aBeeldende kunsten.$2gtt
600 17 $aBeuys, Joseph$xCriticism and interpretation.$2nli
650 7 $aSculptors$zGermany$y20th century.$2nli
650 7 $aArtists$zGermany$y20th century.$2nli
600 17 $aBeuys, Joseph,$d1921-1986.$0(NL-LeOCL)068749686$2nta
650 7 $aArts and crafts.$2sigle
653 0 $aVisual arts
653 0 $aGermany
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aExhibitions (form)$0(NL-LeOCL)088144933$2gtt
700 1 $aThistlewood, David.
710 2 $aTate Gallery Liverpool.
776 08 $iOnline version:$tJoseph Beuys.$dLiverpool : Liverpool University Press and Tate Gallery Liverpool, 1995$w(OCoLC)604574070
830 0 $aTate Gallery Liverpool critical forum ;$vv. 2.
938 $aBrodart$bBROD$n59844698$c$29.95
938 $aYBP Library Services$bYANK$n858725
029 1 $aAU@$b000011887162
029 1 $aCBK$b038349566
029 1 $aNLGGC$b139493921
029 1 $aNZ1$b3914594
029 1 $aUNITY$b038349566
029 1 $aAU@$b000053708269
029 1 $aUKMGB$b006287807
994 $aZ0$bIME
948 $hNO HOLDINGS IN IME - 186 OTHER HOLDINGS