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MARC record from Internet Archive

LEADER: 01730cam a2200397Ia 4500
001 ocm00401274
003 OCoLC
005 20191109072019.1
008 720908s1924 nyug 000 0 eng
010 $a 24029404
040 $aDLC$beng$cOUN$dIUL$dFUG$dLVB$dSTF$dVVW$dOCLCF$dOCLCQ$dOCLCO$dICW$dVOD$dCPL$dOCLCQ
019 $a856583164
028 52 $a31924$bG. Schirmer
029 1 $aAU@$b000008739920
029 1 $aNLGGC$b143026917
035 $a(OCoLC)00401274$z(OCoLC)856583164
050 00 $aMT50$b.W391
050 4 $aMT224$b.W32 1924
082 04 $a781.434
049 $aMAIN
100 1 $aWedge, George A.$q(George Anson),$eauthor.
245 10 $aKeyboard harmony :$ba practical application of music theory, including the study of melody harmonization, broken chords and arpeggios, modulation and improvisation /$cby George A. Wedge.
260 $aNew York :$bG. Schirmer,$c©1924.
300 $avi, 194 pages :$bmusic ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
505 0 $aIntroductory. Notation ; Scales and modes ; Intervals ; Simple chords, etc. -- Meter and rhythm -- Chords -- Connection of chords ; Melody harmonization -- First inversion of simple chords -- Second inversions ; Passing chords, etc. -- Dominant seventh-chords ; Dominant ninth-chords -- Modulation.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aKeyboard harmony.
650 6 $aHarmonie.
650 7 $aKeyboard harmony.$2fast$0(OCoLC)fst00986985
776 08 $iOnline version:$aWedge, George Anson.$tKeyboard harmony.$dNew York, G. Schirmer, inc. [©1924]$w(OCoLC)652098185
994 $a92$bERR
976 $a31927001192092