MARC record from Internet Archive

LEADER: 05441cam 2200877 a 4500
001 ocm60668687
003 OCoLC
005 20211230024349.0
008 050602s2005 onca b 001 0 eng c
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020 $a0888848048$q(hbk.)
020 $a9780888848048$q(hbk.)
020 $z0888848110
035 $a(OCoLC)60668687$z(OCoLC)897019968$z(OCoLC)1008083870
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050 4 $aN6921.F7$bL46 2005
055 01 $aN6915
055 07 $aCOP.CA.2.2006-141
072 7 $acoll14$2lacc
082 04 $a709.4509031$222
084 $a20.70$2bcl
084 $aJ205.546$2clc
084 $acci1icc$2lacc
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245 00 $aLeonardo Da Vinci, Michelangelo, and the Renaissance in Florence /$cgeneral editor, David Franklin ; with essays by David Franklin, Louis A. Waldman, and Andrew Butterfield.
260 $aOttawa, Ont. :$bNational Gallery of Canada ;$aNew Haven, CT :$bYale University Press,$c2005.
300 $a371 pages :$billustrations (some color) ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aAppears in conjunction with an exhibition held at the National Gallery of Canada, May 29-Sept. 5, 2005.
504 $aIncludes bibliographical references and index.
505 0 $a"Revealing magnificence and grandeur" : Florentine drawing in the first half of the sixteenth century / David Franklin -- "Ingenious and subtle spirits" : Florentine painting in the first half of the sixteenth century / Louis A. Waldman -- "Equal to the ancients" : Florentine sculpture in the first half of the sixteenth century / Andrew Butterfield.
520 $aThe decades from 1500 to 1550 in Florence encompassed one of the most original and outstanding periods in the entire history of art. This gloriously illustrated book gathers and describes many of the beloved paintings, drawings, and sculptures created by the greatest masters of the period along with less familiar but equally beautiful and intriguing works. The contributors to the book explore the masterpieces of Florence and challenge conventional interpretations of the evolution of this art. The book outlines the historical context of the Florentine High Renaissance and then discusses drawings, paintings, and sculpture in turn. Focusing on major artists and their contemporaries and allies, the authors demonstrate the great importance of drawing during this period and show that there was a consistency in the brand of creativity found in such artists as Michelangelo, Fiorentino, Cellini, and Bronzino. The authors question the relevance of terms like High Renaissance and Mannerism, and they contend that, contrary to commonly held assumptions, there was no strong stylistic division between art produced in Florence before and after the death of Raphael in 1520.
600 00 $aLeonardo,$cda Vinci,$d1452-1519$vExhibitions.
600 00 $aMichelangelo Buonarroti,$d1475-1564$vExhibitions.
650 0 $aArt, Italian$zItaly$zFlorence$vExhibitions.
650 0 $aArt, Renaissance$zItaly$zFlorence$vExhibitions.
600 16 $aLéonard,$cde Vinci,$d1452-1519$vExpositions
600 06 $aMichel-Ange,$d1475-1564$vExpositions
650 6 $aArt italien$zItalie$zFlorence$y16e siècle$vExpositions
650 6 $aArt de la Renaissance$zItalie$zFlorence$vExpositions
650 6 $aArt de la renaissance$vExpositions
650 6 $aArt italien$vExpositions
650 7 $aEsposizioni$zOttawa$y2005.$2bncf
600 07 $aLeonardo,$cda Vinci,$d1452-1519$2fast$0(OCoLC)fst00033122
600 07 $aMichelangelo Buonarroti,$d1475-1564$2fast$0(OCoLC)fst00064395
650 7 $aArt, Italian.$2fast$0(OCoLC)fst00816430
650 7 $aArt, Renaissance.$2fast$0(OCoLC)fst00816786
651 7 $aItaly$zFlorence.$2fast$0(OCoLC)fst01204699
650 17 $aBeeldende kunsten.$2gtt
655 4 $aExhibition catalogues.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aFranklin, David,$d1961-
700 1 $aWaldman, Louis Alexander.
700 1 $aButterfield, Andrew,$d1959-
938 $aBaker & Taylor$bBKTY$c65.00$d65.00$i0888848048$n0006474030$sactive
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994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 668 OTHER HOLDINGS