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MARC record from Internet Archive

LEADER: 03635cam 2200601Ii 4500
001 ocm00360533
003 OCoLC
005 20210128112439.0
008 720720s1966 nyu 000 f eng
010 $a 66018862
040 $aDLC$beng$erda$cCIN$dOCL$dOCLCQ$dOCLCG$dCUY$dOKR$dNIALS$dUPP$dOCLCF$dOCLCO$dOCLCQ$dOKU$dOCLCO$dCNUTO$dLENOT$dOCLCA$dNTG$dMBB$dBUF$dOCL$dEXG$dOCLCO
019 $a444324$a860336$a18569508$a977262982$a1043423310
035 $a(OCoLC)360533$z(OCoLC)444324$z(OCoLC)860336$z(OCoLC)18569508$z(OCoLC)977262982$z(OCoLC)1043423310
041 1 $aeng$hita
043 $ae-it---
050 04 $aPQ4829.O62$bA913 1966
050 00 $aPZ3.M762$bLi
055 3 $aPQ4829.O62$bA8813 1965
082 04 $a853.91$bP647atX
100 1 $aMoravia, Alberto,$d1907-1990,$eauthor.
240 10 $aAttenzione.$lEnglish
245 14 $aThe lie /$cAlberto Moravia ; translated by Angus Davidson.
264 1 $aNew York :$bFarrar, Straus and Giroux,$c[1966]
264 4 $c©1966
300 $a334 pages ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 1 $a"With the publication of The Time of Indifference over thirty years ago, the young Moravia became a novelist of international importance. Since then he has been prolifically developing his sexual analysis of contemporary society in a series of tales increasingly marked by absorption in existential matters with humanist overtones. The Lie, his latest offering, is similar in technique and tone to A Ghost at Noon and The Empty Canvas, though considerably more intellectually challenging than either. It is an ambitious, deliberately austere account of a middle-aged man's reflections on his involvement, or lack of involvement, with a wife he once loved, and a step-daughter to whom he is erotically drawn, but with whom no consummation is possible. In short, another Moravian study in ineffectuality, using the device of the diary to heighten the hero's sense of isolation, as well as his obsessive need to explore philosophical opposites: the Self and the Other, authenticity and invention, spontaneity and self-consciousness. Here then is the most Sartrean of Moravia's novels, and the most sophisticated, but hardly the most readable. It is another indication of a disturbing trend in European fiction, whereby an ""action"" is described from many angles all centered in the perceptions of one observer, and the very palpable problem of human relatedness- social or psychological- is stripped of any dramatic directness. That The Lie, however ""abstract,"" should, at its best, be oddly hypnotic, is a measure of Moravia's mastery over the driest of subject matter." (Kirkus Reviews, June 24, 1966)
651 0 $aItaly$vFiction.
650 0 $aDiaries$vFiction.
650 0 $aNovelists$vFiction.
650 7 $aNovelists.$2fast$0(OCoLC)fst01039684
650 7 $aDiaries.$2fast$0(OCoLC)fst00892657
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
655 7 $aFiction.$2fast$0(OCoLC)fst01423787
655 7 $aFiction.$2lcgft
700 1 $aDavidson, Angus,$d1898-1982,$etranslator.
029 1 $aAU@$b000001265183
029 1 $aNZ1$b4041985
029 1 $aUKBCI$b129946125
029 1 $aUKBNS$b129946125
029 1 $aUKSCO$b129946125
029 1 $aUKSGC$b129946125
029 1 $aUKSOM$b129946125
029 1 $aUKYLI$bCX0210867X
029 1 $aUNITY$b032026404
029 1 $aUNITY$b073071102
029 1 $aUNITY$b077732790
029 1 $aAU@$b000055565702
029 1 $aUNITY$b129946125
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 573 OTHER HOLDINGS