| Record ID | ia:lookingaskancesk0000leja_g0s4 |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/lookingaskancesk0000leja_g0s4/lookingaskancesk0000leja_g0s4_marc.xml |
| Download MARC binary | https://www.archive.org/download/lookingaskancesk0000leja_g0s4/lookingaskancesk0000leja_g0s4_meta.mrc |
LEADER: 01522cam a22003254a 4500
001 2003022760
003 DLC
005 20150910191105.0
008 031015s2004 caua b 001 0 eng
010 $a 2003022760
020 $a0520238079 (alk. paper)
040 $aDLC$cDLC$dDLC
042 $apcc
043 $an-us-ny
050 00 $aN7430.5$b.L44 2004
082 00 $a709/.73$222
100 1 $aLeja, Michael,$d1951-
245 10 $aLooking askance :$bskepticism and American art from Eakins to Duchamp /$cMichael Leja.
260 $aBerkeley :$bUniversity of California Press,$cc2004.
300 $axiii, 300 p. :$bill. (some col.) ;$c26 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: looking askance -- Mumler's fraudulent photographs -- Eakins's reality effects -- Impressionism and nature's deceptions -- Touching pictures by William Harnett -- Buffalo's illusions -- The self's deceptions -- Humbugs for highbrows: Duchamp's readymades in New York.
650 0 $aOptical illusions in art.
650 0 $aVisual perception$xPsychological aspects.
650 0 $aArt and society$zUnited States.
650 0 $aArt, American$y19th century.
650 0 $aArt, American$y20th century.
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/bios/ucal052/2003022760.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/description/ucal051/2003022760.html
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0410/2003022760.html