MARC record from Internet Archive

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001 ocn857525018
003 OCoLC
005 20200721182549.0
008 130826t20132013enka bc 001 0 eng d
010 $a 2014453343
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015 $aGBB377137$2bnb
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019 $a861660985$a882569979
020 $a9781849761406$q(hbk.)
020 $a184976140X$q(hbk.)
035 $a(OCoLC)857525018$z(OCoLC)861660985$z(OCoLC)882569979
050 14 $aN9145$b.M86 2013
082 04 $a709.04$223
084 $a20.10$2bcl
100 1 $aMundy, Jennifer,$eauthor.
245 10 $aLost art :$bmissing artworks of the twentieth century /$cJennifer Mundy.
264 4 $c©2013
264 1 $aLondon :$bTate Publishing,$c2013.
300 $a288 pages :$billustrations (some color) ;$c24 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aThis book originates from a virtual exhibition, The Gallery of Lost Art, online from July 2012 to June 2013.
504 $aIncludes bibliographical references and index.
505 0 $aDiscarded. Waste paper: Georges Braque, Still Life, 1914 ; Unique?: Marcel Duchamp, Fountain, 1917 ; A rival to Guernica?: Joan Miró, The Reaper, 1937 ; Death of a hippie: Paul Thek, The Tomb, 1967 ; Corporate power: Edward Ihnatowicz, Senster, 1970 -- Missing. Without a trace: Kasimir Malevich, Peasant Funeral, 1911 ; Lobster legs: Wyndham Lewis, Kermesse, 1912 ; Regime change: Arno Breker, Torch Bearer and Sword Bearer, 1938 ; Betrayal: Frida Kahlo, The Wounded Table, 1940 -- Rejected. A thirty years war: Jacob Epstein, Sculptures for the British Medical Association Building, 1908 ; Seeing red: Diego Rivera, Man at the Crossroads Looking with Uncertainty but with Hope and High Vision to the Choosing of a New and Better Future, 1933 ; An unwanted present: Graham Sutherland, Portrait of Sir Winston Churchill, 1954 ; Breaking the rules?: Daniel Buren, Painting-Sculpture (Painting I and Painting II), 1971 ; Art on trial: Richard Serra, Tilted Arc, 1981 -- Attacked. Confiscated: Egon Schiele, Self-Seer, 1910 ; Degenerate: Otto Freundlich, Large Head (The New Man), 1912 ; Horrors of war: Otto Dix, The Trench, 1920-3 -- Destroyed. Moving house: Kurt Schwitters, Merzbau, c.1923-37 ; Bombed: Wassily Kandinsky, Composition I, 1910 ; Nine eleven: Alexander Calder, Bent Propeller, 1970 ; Burnt memories: Tracey Emin, Everyone I Have Ever Slept With 1963-1995, 1995 -- Erased. Fig leaf: Francis Picabia, Hot Eyes, 1921 ; Cut up: Francis Bacon, Study for Man with Microphones, 1946 ; Drawing away: Willem de Kooning, Untitled, c.1950s ; The death of painting: John Baldessari, Cremation Project, 1970 -- Ephemeral. Material decay: Naum Gabo, Construction in Space:Two Cones, 1936, replica 1968 ; Life doesn't last, art doesn't last: Eva Hesse, Sans III, 1969 ; Moths: Joseph Beuys, Felt Suit, 1970 -- Transient. Like a falling star: Jean Tinguely, Homage to New York, 1960 ; Decline and fall: Robert Smithson, Partially Buried Woodshed, 1970 ; Berlin wall: Keith Haring, Berlin Wall Mural, 1986 ; A house divided: Rachel Whiteread, House, 1993 ; Wrapped/unwrapped: Christo and Jeanne-Claude, Wrapped Reichstag, Berlin 1971-95, 1971-95 ; Melting: Anya Gallaccio, intensities and surfaces, 1996 ; Dispossessed: Michael Landy, Break Down, 2001 -- Unrealised. Monumental dream: Vladimir Tatlin, Monument to the Third International, 1920 ; Capsized: Bas Jan Ader, In Search of the Miraculous, 1973-5 -- Stolen. Off the wall: Lucian Freud, Francis Bacon, 1952 ; Scrapped?: Henry Moore, Reclining Figure, 1969-70 ; Unsellable?: five paintings stolen from the Musée d'Art Moderne de la Ville de Paris.
520 8 $aDamaged, attacked, rejected, destroyed, transient - there are many ways that art can become lost. With work by Marcel Duchamp, Wassily Kandinsky, Frida Kahlo, Joseph Beuys, John Baldessari, Rachel Whiteread and Lucian Freud, this is a lively look at a often little considered aspect of contemporary art.
520 $a"Many assume that modern works of art are easily preserved; that their whereabouts can be readily established thanks to sophisticated documentation systems; and that in general they are not subject to loss or destruction. But many important works have disappeared over the last century in a variety of ways including war, theft, natural catastrophe, and carelessness. Most significantly, loss itself has been a major theme within modern and contemporary art, with elements of transience central to the practice of many well-known figures. Grouped into ten sections -- Discarded, Missing, rejected, Attacked, Destroyed, Erased, Ephemeral, Transient, Unrealised and Stolen -- this unique survey includes forty case studies looking at the stories behind lost works of art, ranging from the shunning of Epstein's British Medical Association sculptures in 1908, to Michael Landy's 2001 project Break Down, where he systematically destroyed every one of his possessions."--Publisher's description.
650 0 $aLost works of art$vExhibitions.
650 0 $aArt, Modern$y20th century$vExhibitions.
650 7 $a20.10 art and society: general.$0(NL-LeOCL)07759374X$2bcl
650 7 $aArt and Design.$2eflch
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
650 7 $aLost works of art.$2fast$0(OCoLC)fst01002666
650 7 $aVerlust$2gnd
650 7 $aKonst$xhistoria.$2sao
650 7 $aKonstnärliga lämningar.$2sao
650 7 $aKonststölder.$2sao
650 7 $aArt and Design.$2ukslc
648 7 $a1900-1999$2fast
648 7 $a1900-talet$2sao
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
938 $aCoutts Information Services$bCOUT$n25521566
938 $aErasmus Boekhandel$bERAA$nNTS0000163679
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