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MARC record from Internet Archive

LEADER: 03736cam 22005654a 4500
001 ocm68712136
003 OCoLC
005 20120215124832.0
008 060508s2007 nyua 000 0aeng
010 $a 2006015248
040 $aDLC$cDLC$dIG#$dBAKER$dBTCTA$dBUR$dGK8$dYDXCP$dVP@$dIXA$dOTP$dSMP$dCQU
020 $a1400083028
020 $a9781400083022
035 $a(OCoLC)68712136
042 $apcc
043 $an-us---
050 00 $aML423.S537$bA3 2007
082 00 $a781.64092$aB$222
100 1 $aSheffield, Rob.
245 10 $aLove is a mix tape :$blife and loss, one song at a time /$cRob Sheffield.
250 $a1st ed.
260 $aNew York :$bCrown Publishing,$cc2007.
300 $a224 p. :$bill. ;$c22 cm.
505 0 $aRumblefish -- Hey Jude -- Roller boogie -- Tape 635 -- Love makes me do foolish things -- Big star : for Renee -- Sheena was a man -- Personics -- A little down, a little duvet -- That's entertainment -- The comfort zone -- Dancing with myself -- How I got that look -- 52 girls on film -- Crazy feeling -- Paramount Hotel -- Mmmrob -- Hypnotize -- Jackie blue -- Glossin' and flossin' -- Blue Ridge gold -- Via Vespucci.
520 $a"In the 1990s, "alternative" was suddenly mainstream, and bands like Pearl Jam and Pavement, Nirvana and R.E.M.--bands that a year before would have been too weird for MTV--were MTV. The boundaries of American culture were exploding, and music was leading the way. It was also the 1990s when a shy music geek named Rob Sheffield met a hell-raising Appalachian punk-rock girl named Renée, who was way too cool for him but fell in love with him anyway. He was tall. She was short. He was shy. She was a social butterfly. They had nothing in common except that they both loved music. Music brought them together and kept them together. And it was music that would help Rob through a sudden, unfathomable loss. Here, Rob, now a writer for Rolling Stone, uses the songs on fifteen mix tapes to tell the story of his brief time with Renée.--From publisher description."--From source other than the Library of Congress
600 10 $aSheffield, Rob.
650 0 $aMusic critics$zUnited States$vBiography.
650 0 $aJournalists$zUnited States$vBiography.
650 0 $aPopular music$xHistory and criticism.
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy0713/2006015248-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0713/2006015248-d.html
856 41 $3Sample text$uhttp://catdir.loc.gov/catdir/enhancements/fy0809/2006015248-s.html
938 $aYBP Library Services$bYANK$n2482604
938 $aBaker and Taylor$bBTCP$n2006015248
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952 $a190718324$zPAU$bUNIV OF PENNSYLVANIA$hFull$iLCC$kDDC$nSummary$ppcc$tContents$u20100727
952 $a241851906$zHLS$bHARVARD UNIV, HARVARD COL LIBR$hFull batch$iLCC$kDDC$nSummary$tContents$u20100802
952 $a481657369$zN15$bNEW YORK UNIV, GROUP BATCHLOAD$hFull$iLCC$kDDC$nSummary$ppcc$tContents$u20100714
952 $a491968934$zTEU$bTEMPLE UNIV$dURI$hCore$nSummary$tContents$u20100714
952 $a734365526$zCUY$bUNIV OF CALIFORNIA, BERKELEY$dURI$hCore$iLCC$kDDC$nSummary$ppcc$tContents$u20111203
029 1 $aIG#$b1400083028
029 1 $aYDXCP$b2482604
029 1 $aNZ1$b10812857
029 1 $aAU@$b000040301709
029 1 $aIG#$b9781400083022
029 1 $aNZ1$b11543884
994 $aZ0$bPMR
948 $hNO HOLDINGS IN PMR - 754 OTHER HOLDINGS