| Record ID | ia:majorfilmtheorie0000andr |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/majorfilmtheorie0000andr/majorfilmtheorie0000andr_marc.xml |
| Download MARC binary | https://www.archive.org/download/majorfilmtheorie0000andr/majorfilmtheorie0000andr_meta.mrc |
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001 ocm02312777
003 OCoLC
005 20191106070535.0
008 760626s1976 enk b 001 0 eng
007 ta
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072 7 $acoll1$2lacc
080 $a791.430 1
082 00 $a791.43/01
083 0 $aCinema films. Theories
084 $a24.31$2bcl
084 $acci1icc$2lacc
084 $acoll1$2lacc
084 $a791.4301$222
100 1 $aAndrew, Dudley,$d1945-
245 14 $aThe major film theories :$ban introduction /$cJ. Dudley Andrew.
260 $aLondon ;$aNew York :$bOxford University Press,$c1976.
300 $ax, 278 pages ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aA Galaxy book ;$vGB450
504 $aIncludes bibliographical references (pages 261-272) and index.
505 0 $aPart 1 : The formative tradition -- Hugo Munsterberg. Matter and means ; Form and function -- Rudolf Arnheim. Material ; The creative use of the medium ; Film form ; The purpose of film -- Sergei Eisenstein. The raw material of film ; Cinematic means : creation through montage ; Film form ; The final purpose of film -- Be la Bala zs and the tradition of formalism. A summary of formative film theory ; Russian formalism ; Be la Bala zs ; The raw material of film art ; The creative potential of film technique ; Cinematic shape or form ; Cinematic functions -- Part 2 : Realist film theory -- Siegfried Kracauer. Matter and means ; Compositional forms ; The purpose of cinema ; Rebuttals -- Andre Bazin. The raw material ; Cinematic means and form ; The function of cinema -- Part 3 : Contemporary French film theory -- Jean Mitry. The raw material ; Creative potential in film ; The form and purpose of cinema -- Christian Metz and the semiology of the cinema. The raw material ; The means of signification in cinema ; The forms and possibilities of film ; Semiology and the purposes of film -- The challenge of phenomenology : Ame de e Ayfre and Henri Agel.
650 0 $aMotion pictures$xAesthetics.
650 6 $aCine ma$xEsthe tique.
650 7 $aMotion pictures$xAesthetics.$2fast$0(OCoLC)fst01027288
650 17 $aFilmtheorie.$2gtt
650 17 $aFilosofische aspecten.$2gtt
650 7 $aCine ma$xEsthe tique.$2ram
650 7 $aCine ma$xHistoire et critique.$2ram
653 $aMotion pictures -- Aesthetics
776 1 $aAndrew, J. Dudley.$tMajor film theories.$d1982]
830 0 $aGalaxy book ;$vGB450.
856 41 $uhttp://www.bdcmuseum.org.uk/explore/$zSearch the Bill Douglas Cinema Museum Catalogue for more film resources
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0603/75025465-d.html
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