MARC record from Internet Archive

LEADER: 04241cam 2200589 a 4500
001 ocn138342510
003 OCoLC
005 20190116212520.0
008 070604s2008 ne a b 001 0 eng
010 $a 2007023245
040 $aDLC$beng$cDLC$dYDX$dBAKER$dBTCTA$dYDXCP$dNLGGC$dOCLCQ$dMNW$dOCLCQ$dBDX$dOCLCF$dOCLCO$dOCLCQ$dI8M$dOCLCQ$dUKMGB
015 $aGBA768395$2bnb
016 7 $a013828621$2Uk
020 $a9780240809076$q(pbk. ;$qalk. paper)
020 $a0240809076$q(pbk. ;$qalk. paper)
035 $a(OCoLC)138342510
050 00 $aQA76.575$b.B74 2008
082 00 $a006.7$222
084 $a05.38$2bcl
100 1 $aRoberts-Breslin, Jan.
245 10 $aMaking media :$bfoundations of sound and image production /$cJan Roberts-Breslin ; photography by Jan Roberts-Breslin ; illustrations by Daniel Breslin.
250 $a2nd ed.
260 $aAmsterdam ;$aBoston :$bElsevier/Focal Press,$c℗♭2008.
300 $axiii, 287 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 271-272) and index.
520 $aMaking Media takes the media production process and deconstructs it into its most basic components. Students will learn the basic concepts of media production: frame, sound, light, time, motion, sequencing, etc., and be able to apply them to any medium they choose. They will also become well grounded in the digital work environment and the tools required to produce media in the digital age. The companion Web site provides interactive exercises for each chapter, allowing students to explore the process of media production --Publisher description.
505 0 $aContent: The primacy of content -- Ethical and legal responsibilities -- Developing story ideas -- Preproduction process -- The frame: Seeing the world through a frame -- Controlling the frame -- Reproducing the frame -- The frame applied to different media -- Light. The importance of light -- Understanding light -- Lighting concerns of different media -- Sound: The importance of sound -- Understanding sound -- Reproducing sound -- Sound variation -- Types of audio media -- Time: Time and space -- Sounds and images existing in time -- Sound and image: A+B=C -- Sound recording for different media -- Movement and depth -- Media illusions -- Creating visual depth -- Movement within the frame -- Movement considerations in different media -- The theory of linear structure: Putting the story together -- Approaches to structuring film and video -- Applications of structure -- The practice of linear structure: Sound and image transitions -- Live editing -- Postproduction editing -- Digital nonlinear editing -- Nonlinear structure: Understanding nonlinearity -- Interactive media -- Software applications -- Putting the pieces together -- Multimedia vs. the web -- It's all coming together -- Approaches to production and distribution: Traditional and convergent trends and predictions -- Determining your approach -- Distribution outlets -- The future.
650 0 $aMultimedia systems.
650 0 $aSound$xRecording and reproducing.
650 0 $aImage processing$xDigital techniques.
650 7 $aImage processing$xDigital techniques.$2fast$0(OCoLC)fst00967508
650 7 $aMultimedia systems.$2fast$0(OCoLC)fst01028920
650 7 $aSound$xRecording and reproducing.$2fast$0(OCoLC)fst01126957
650 17 $aMultimedia.$2gtt
650 17 $aGeluidstechniek.$2gtt
650 17 $aBeeldcommunicatie.$2gtt
650 17 $aBeeldverwerking.$2gtt
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip0719/2007023245.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0806/2007023245-d.html
938 $aBaker & Taylor$bBKTY$c49.95$d49.95$i0240809076$n0007356322$sactive
938 $aBrodart$bBROD$n07558538$c$49.95
938 $aBaker and Taylor$bBTCP$nBK0007356322
938 $aYBP Library Services$bYANK$n2577596
029 1 $aNLGGC$b309204380
029 1 $aNZ1$b11603825
029 1 $aUNITY$b109252004
029 1 $aUKMGB$b013828621
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 87 OTHER HOLDINGS