Record ID | ia:martinsloane0000redh |
Source | Internet Archive |
Download MARC XML | https://archive.org/download/martinsloane0000redh/martinsloane0000redh_marc.xml |
Download MARC binary | https://www.archive.org/download/martinsloane0000redh/martinsloane0000redh_meta.mrc |
LEADER: 02348cam 2200481Ma 4500
001 ocm51622979
003 OCoLC
005 20201227204332.0
008 021220r20032002enk 000 f eng
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084 $aF$2bcmc
100 1 $aRedhill, Michael,$d1966-
245 10 $aMartin Sloane /$cMichael Redhill.
260 $aLondon :$bArrow,$c2003.
300 $a1 volume
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aOriginally published: Toronto: Doubleday, 2001; London: Heinemann, 2002.
520 $aJolene Iolas, a student in upstate New York, encounters Martin Sloane's work while visiting a Toronto gallery. Flush with the confidence of youth, she strikes up a correspondence with the older artist, and eventually they become lovers. And then, without warning, without a word, he vanishes. There is no hint of his fate, no chain of cause and effect to be followed. Ten years pass and Jolene learns to stop trying to make sense of what has happened to her. But before she can fully return to life, the opportunity to confront her ghost arises. Word comes that someone named Martin Sloane has been exhibiting artworks identical to Martin's Irish galleries. Seamlessly crafted and beautifully written, Martin Sloane evokes the mysteries of love and art, the weight of history, and what seems to bear memory for the missing and the dead.
650 0 $aMissing persons$vFiction.
650 0 $aFemale friendship$vFiction.
650 7 $aFemale friendship.$2fast$0(OCoLC)fst00922609
650 7 $aMissing persons.$2fast$0(OCoLC)fst01023702
655 7 $aFiction.$2fast$0(OCoLC)fst01423787
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948 $hNO HOLDINGS IN P4A - 36 OTHER HOLDINGS