MARC record from Internet Archive

LEADER: 04753cam 2200889 a 4500
001 ocn166361505
003 OCoLC
005 20210325223243.0
008 090105s2009 nyua b 001 0 eng
010 $a 2008053198
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019 $a503055910$a716564910
020 $a9780415774734$q(hardback ;$qalk. paper)
020 $a041577473X$q(hardback ;$qalk. paper)
020 $a9780415774741$q(pbk. ;$qalk. paper)
020 $a0415774748$q(pbk. ;$qalk. paper)
020 $a9780203876596$q(ebook)
020 $a0203876598$q(ebook)
035 $a(OCoLC)166361505$z(OCoLC)503055910$z(OCoLC)716564910
050 00 $aPN1997.M4344$bM46 2009
072 7 $as1ba$2rero
082 00 $a791.43/72$222
245 00 $aMemento /$cedited by Andrew Kania.
260 $aLondon ;$aNew York :$bRoutledge,$c2009.
300 $axvi, 191 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPhilosophers on film
504 $aIncludes bibliographical references and indexes.
505 0 $aMoral monster or responsible person? Memento's Leonard as a case study in defective agency / Michael McKenna -- Leonard's system: why doesn't it work? / Joseph Levine -- The feel of the world: exograms, habits, and the confusion of types of memory / John Sutton -- The value of memory: reflections on Memento / Raymond Martin -- Memento and personal identity: do we have it backwards? / Richard Hanley -- Memento and the phenomenology of comprehending motion picture narration / Noël Carroll -- Reconfiguring the past: Memento and neo-noir / Deborah Knight and George McKnight -- What is Memento? ontology and interpretation in mainstream film / Andrew Kania.
520 $a"Within a short space of time, the film Memento has already been hailed as a modern classic. Memorably narrated in reverse, from the perspective of Leonard Shelby, the film's central character, it follows Leonard's chaotic and visceral quest to discover the identity of his wife's killer and avenge her murder, despite his inability to form new long-term memories. This is the first book to explore and address the myriad philosophical questions raised by the film, concerning personal identity, free will, memory, knowledge, and action. It also explores problems in aesthetics raised by the film through its narrative structure, ontology, and genre.
630 00 $aMemento (Motion picture)
650 0 $aPhilosophy in motion pictures.
650 0 $aMemory in motion pictures.
650 0 $aIdentity (Psychology) in motion pictures.
650 0 $aMotion pictures$xAesthetics.
630 07 $aMemento (Motion picture)$2fast$0(OCoLC)fst01396966
650 7 $aIdentity (Psychology) in motion pictures.$2fast$0(OCoLC)fst00966911
650 7 $aMemory in motion pictures.$2fast$0(OCoLC)fst01015966
650 7 $aMotion pictures$xAesthetics.$2fast$0(OCoLC)fst01027288
650 7 $aPhilosophy in motion pictures.$2fast$0(OCoLC)fst01060838
630 07 $aMemento$gFilm, 2000$2gnd
650 7 $aPsychologie$2gnd
630 07 $aMemento (Motion picture)$2nli
600 17 $aNolan, Christopher,$d1970-.$2nli
650 7 $aPhilosophy in motion pictures.$2nli
650 7 $aMemory in motion pictures.$2nli
650 7 $aIdentity (Psychology) in motion pictures.$2nli
650 7 $aMotion pictures$xAesthetics.$2nli
630 07 $aMemento$gfilm.$2ram
650 7 $aPhilosophie$xAu cinéma.$2ram
650 7 $aMémoire$xAu cinéma.$2ram
650 7 $aIdentité (philosophie)$xAu cinéma.$2ram
650 7 $aCinéma$xEsthétique$xEsthétique.$2ram
600 17 $aNolan, Christopher.$t"Memento"$vétudes diverses.$2rero
600 17 $aNolan, Christopher$cRegisseur.$2swd
650 07 $aFilm.$2swd
700 1 $aKania, Andrew.
830 0 $aPhilosophers on film.
938 $aBlackwell Book Service UK$bBBUK$nL8819289$c55.00
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