MARC record from Internet Archive

LEADER: 05787cam a2200565Ii 4500
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005 20220218052922.0
008 721214r19601847nyu b 001 0 eng
010 $a 61000459
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020 $a0486207188
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035 $a(OCoLC)00517899$z(OCoLC)18328306$z(OCoLC)221869077$z(OCoLC)1000883714$z(OCoLC)1081068210$z(OCoLC)1086246594$z(OCoLC)1089957953$z(OCoLC)1160103695$z(OCoLC)1167242941
035 $z(OCoLC)18328306$z(OCoLC)221869077$z(OCoLC)1000883714$z(OCoLC)1081068210$z(OCoLC)1086246594$z(OCoLC)1089957953$z(OCoLC)1160103695$z(OCoLC)1167242941
035 $a(OCoLC)ocm00517899
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049 $aUIUU
050 00 $aND50$b.E2 1960
055 1 $aND50.E2 1960
082 00 $a751.4
100 1 $aEastlake, Charles Lock,$cSir,$d1793-1865,$eauthor.
240 10 $aMaterials for a history of oil painting
245 10 $aMethods and materials of painting of the great schools and masters /$cby Sir Charles Lock Eastlake.
264 1 $aNew York :$bDover Publications$c[1960]
300 $a2 volumes$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Unabridged and unaltered republication of the first edition ... published ... in 1847 under the title: Materials for a history of oil painting."
505 0 $av. 1. Connexion between the early history of painting and that of medicine -- The Ancients -- Earliest practice of oil painting -- Oil painting during the latter part of the fourteenth century ; Note on a Venetian manuscript in the British museum -- Practice of painting generally during the fourteenth century ; Note on a German manuscript in the public library at Strassburg -- Fresco painting and wax painting during the fourteenth century ; Note on some early specimens on English art -- Vasari's account of the method of oil painting introduced by Van Eyck ; Note on the introduction of oil painting into Italy -- Examination of Vasari's statements respecting the invention of Van Eyck -- Oleo-resinous vehicles -- Preparation of oils -- Methods of the Flemish school considered generally ; Note on the modes of strengthening Panels by Ledges or Battens -- Preparation of colours ; Note on the use of triptychs, &c. ; Note on the varnish prepared from the Olio d' Abezzo -- Practice of later masters ; Extracts from notes by Sir Joshua Reynolds ; Note on the Mayerne manuscript in the British Museum -- Additions and corrections ; Scriptural and historical subjects painted in England during the Reign of Henry III -- v. 2. Folco Portinari and his descendants, Hospital of S. Maria Nuova, Ancient Florentine academy of painters, Antonello da Messina, The Pollaiuoli ; Note on two copies of an inedited manuscript by Antonio Filarete -- Recapitulation of characteristics of early Flemish school, The varnish of tempera pictures, Improvements by Van Eyck, mixture of varnish with colours, Methods of painting -- Lorenzo di Credi, Leonardo da Vinci, Pietro Perugino, Francesco Francia -- Raphael, Fra Bartolommeo, Mariotto Albertinelli, Ridolfo Ghirlandajo, Grancacci, Bugiardini, Andrea del Sarto -- Correggio -- Venetian methods -- Professional essays: Colour, light, shade, Correggio, & c -- Necessity for definitions -- Negative lights and shades -- Natural harmonies -- Natural contrasts -- Finish -- Space -- Effect -- Chiaroscuro preparations, their effect, duly managed, of producing depth and richness -- Chiaroscuro preparations, transparent brown -- Depth of light tints -- Warm shadows -- Treatment of green and blue -- Oiling out -- Vehicle for shadows -- Transparent painting -- Depth; transparent medium -- Cool lights on red -- Oil painting -- Macchia -- Venetian process -- Bellini thinned his vehicle with linseed oil -- Warm outlines and shadows -- Neutral tints in white and other draperies -- Toning, to mitigate partial or general crudeness -- Texture; Contract of surface in scumbling -- Scumbling and retouching -- Crispness and sharpness before toning -- Glazing system -- Life in inanimate things -- Palette knife -- The gem-like quality -- Facility of execution -- Remedies -- How to compose and paint a single head -- On subjects for painting -- Means and end of art.
530 $aAlso issued online.
520 $aUnabridged and unaltered republication of the first edition originally published in 1847, under title "Materials for a history of oil painting."
500 $aIncludes index.
504 $aIncludes bibliographical references and index.
650 0 $aPainting$xHistory.
650 6 $aPeinture$xHistoire.
650 7 $aPainting.$2fast$0(OCoLC)fst01050567
650 7 $aPainting$xTechnique.$2nli
650 7 $aArtists' materials.$2nli
650 7 $aPainting$xHistory.$2nli
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aEastlake, Charles Lock, Sir, 1793-1865.$sMaterials for a history of oil painting.$tMethods and materials of painting of the great schools and masters.$dNew York, Dover Publications [1960]$w(OCoLC)559837913
938 $aBaker & Taylor$bBKTY$c9.95$d7.46$i0486207188$n0000529679$sactive
938 $aBaker and Taylor$bBTCP$n61000459
945 $aWorldCat record 040 $e RDA change - WorldCat record encoding level change - WorldCat record variable field(s) change: 100, 245$b02/18/2022
959 $a(UICdb)52946$9LOCAL
994 $a92$bUIU