MARC record from Internet Archive

LEADER: 03316cam a2200541 i 4500
001 11524462
005 20150920220759.0
008 141003s2015 njua b 001 0 eng
010 $a 2014035987
020 $a9780813569987$qhardcover$qalkaline paper
020 $a0813569982$qhardcover$qalkaline paper
020 $a9780813569970$qpaperback$qalkaline paper
020 $a0813569974$qpaperback$qalkaline paper
020 $z9780813569994$qelectronic book
024 $a99963750879
035 $a(OCoLC)892514247
035 $a(OCoLC)ocn892514247
035 $a(NNC)11524462
040 $aDLC$erda$beng$cDLC$dYDX$dBDX$dYDXCP$dBTCTA$dOCLCF
042 $apcc
043 $aa-ko---
050 00 $aPN1993.5.K6$bC545 2015
082 00 $a791.43095195$223
100 1 $aChung, Hye Seung,$d1971-$eauthor.
245 10 $aMovie migrations :$btransnational genre flows and South Korean cinema /$cHye Seung Chung and David Scott Diffrient.
264 1 $aNew Brunswick, New Jersey ;$aLondon :$bRutgers University Press,$c[2015]
300 $aviii, 291 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aNew directions in international studies
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: South Korean cinema's transnational trajectories -- From classical Hollywood to the Korean golden age: cinephilia, modernization, and postcolonial genre flows. Toward a strategic Korean cinephilia: a transnational détournement of Hollywood melodrama -- The mamas and the papas: cross-cultural remakes, literary adaptations, and cinematic "parent" texts -- The nervous laughter of vanishing fathers: modernization comedies of the 1960s -- Once upon a time in Manchuria: classic and contemporary Korean westerns -- From cinematic Seoul to global Hollywood: cosmopolitanism, empire, and transnational genre flows. Reinventing the historical drama, de-westernizing a French classic: genre, gender, and the transnational imaginary in untold scandal -- From Gojira to Goemul: "host" cities and "post" histories in East Asian monster movies -- Extraordinarily rendered: oldboy, transmedia adaptation, and the US war on terror -- A thirst for diversity: trends in Korean "multicultural films", from Bandhobi to Where is Ronny? -- Conclusion: into "spreadable" spaces: Netflix, YouTube, and the question of cultural translatability.
650 0 $aMotion pictures$zKorea (South)$xHistory$y20th century.
650 0 $aMotion pictures$zKorea (South)$xHistory$y21st century.
650 0 $aCulture in motion pictures.
650 0 $aMotion pictures and transnationalism.
650 0 $aMotion pictures and globalization.
650 7 $aCulture in motion pictures.$2fast$0(OCoLC)fst01902963
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aMotion pictures and globalization.$2fast$0(OCoLC)fst01736340
650 7 $aMotion pictures and transnationalism.$2fast$0(OCoLC)fst01747307
651 7 $aKorea (South)$2fast$0(OCoLC)fst01206791
648 7 $a1900 - 2099$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aDiffrient, David Scott,$d1972-$eauthor.
830 0 $aNew directions in international studies.
852 00 $beal$hPN1993.5.K6$iC545 2015