MARC record from Internet Archive

LEADER: 04249cam 2200685 a 4500
001 ocm36104158
003 OCoLC
005 20190919031601.0
008 961210s1997 kyua b 001 0 eng
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050 00 $aPN1995.9.M65$bA43 1997
082 00 $a791.43/657$221
084 $aHU 1774$2rvk
100 1 $aAmes, Christopher,$d1956-
245 10 $aMovies about the movies :$bHollywood reflected /$cChristopher Ames.
260 $aLexington, Ky. :$bUniversity Press of Kentucky,$c℗♭1997.
300 $aix, 254 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes filmography (p. 227).
504 $aIncludes bibliographical references (pages 238-244) and index.
505 0 $aHollywood stories -- Cautionary tales. What price Hollywood? (1932) ; A star is born (1937) ; The star (1952) -- Singin' on the screen. Singin' in the rain (1952) ; A star is born (1954) -- Let a smile be your umbrella. Sullivan's travels (1941) ; Pennies from heaven (1981) -- Screen passages. The purple rose of Cairo (1985) ; Last action hero (1993) -- No business like. Stand-in (1937) ; The bad and the beautiful (1952) -- Picturing writers. Boy meets girl (1938) ; In a lonely place (1950) -- Offing the writer. Sunset Boulevard (1950) ; The player (1992) -- California dreams.
530 $aAlso issued online.
520 $aHundreds of films belonging to the genre of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action adventure. Such movies seduce the viewer with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take viewers behind the scenes in any true sense. This paradox - the simultaneous debunking and celebration of Hollywood - lies at the heart of the genre. Through close analysis of the best of these films, the author reveals how the idea of Hollywood is constructed (and constructs itself), particularly through such moments of explicit self-referentiality as the movie-within-a-movie and scenes set in studios.
650 0 $aMotion picture industry in motion pictures.
650 7 $aMotion picture industry in motion pictures.$2fast$0(OCoLC)fst01027195
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651 7 $aUSA.$2swd
651 7 $aLos Angeles- Hollywood <Motiv>$2swd
776 08 $iOnline version:$aAmes, Christopher, 1956-$tMovies about the movies.$dLexington, Ky. : University Press of Kentucky, ℗♭1997$w(OCoLC)606085911
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007771226&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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