| Record ID | ia:mozartpianoconce0000gray |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/mozartpianoconce0000gray/mozartpianoconce0000gray_marc.xml |
| Download MARC binary | https://www.archive.org/download/mozartpianoconce0000gray/mozartpianoconce0000gray_meta.mrc |
LEADER: 04933cam 2200913 a 4500
001 ocm38061701
003 OCoLC
005 20221109002145.0
008 971203s1998 enkag b 001 0 eng
010 $a 97050598
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050 00 $aML410.M9$bG82 1998
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100 1 $aGrayson, David A.
245 10 $aMozart, Piano concertos no. 20 in D minor, K. 466, and no. 21 in C major, K. 467 /$cDavid Grayson.
246 14 $aMozart, Piano concertos nos. 20 and 21
260 $aCambridge, United Kingdom ;$aNew York :$bCambridge University Press,$c1998.
300 $axii, 143 pages :$btables, music ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCambridge music handbooks
504 $aIncludes bibliographical references (pages 134-137) and index.
505 0 $aTwentieth-century theories of Mozart's concerto form -- First movements -- Middle movements -- Finales -- Performance practice issues.
520 $aThis guide to Mozart's two most popular piano concertos - No. 20 in D minor, K. 466, and No. 21 in C major, K. 467 (the so-called 'Elvira Madigan') - presents the historical background of the works and places them within the context of Mozart's compositional and performance activities at a time when his reputation as both composer and pianist was at its peak. The special nature of the concerto, as both a form and a genre, is explored through a survey of some of the approaches that critics have taken in discussing Mozart's concertos, ranging from analysis of pure structure to representations of the works as metaphors for human dramas. A theory of concerto form provides the basis for detailed accounts of the two concertos. The concluding chapter discusses a wide range of issues of particular interest to modern performers, including historical instruments, orchestra size and seating, cadenzas, basso continuo and improvised embellishments.
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791.$tConcertos,$mpiano, orchestra,$nK. 466,$rD minor.
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791.$tConcertos,$mpiano, orchestra,$nK. 467,$rC major.
600 14 $aMozart, Wolfgang Amadeus,$d1756-1791.$tConcertos. K. 466.
600 14 $aMozart, Wolfgang Amadeus,$d1756-1791.$tConcertos. K. 467.
600 16 $aMozart, Wolfgang Amadeus,$d1756-1791.$tConcertos,$mpiano, orchestre.
630 07 $aConcertos (Mozart, Wolfgang Amadeus)$2fast$0(OCoLC)fst01357086
600 17 $aMozart, Wolfgang Amadeus$d1756-1791$2gnd
600 17 $aMozart, Wolfgang Amadeus$d1756-1791$tKonzerte$mKlavier$mOrchester$nKV 466$rd-Moll$2gnd
600 17 $aMozart, Wolfgang Amadeus$d1756-1791$tKonzerte$mKlavier$mOrchester$nKV 467$rC-Dur$2gnd
650 7 $aKlavierkonzert$2gnd
650 7 $aMusikalische Aufführungspraxis$2gnd
650 17 $aPianoconcerten.$2gtt
600 17 $aMozart, Wolfgang Amadeus,$d1756-1791.$tConcertos,$mpiano, orchestra,$nK. 466,$rD minor.$2nli
600 17 $aMozart, Wolfgang Amadeus,$d1756-1791.$tConcertos,$mpiano, orchestra,$nK. 467,$rC major.$2nli
650 7 $aConcertos (Piano)$xAnalysis, appreciation.$2nli
600 17 $aMozart, Wolfgang Amadeus.$2swd
630 07 $aKonzert, Klavier Orchester KV 467.$2swd
630 07 $aKonzert, Klavier Orchester KV 466.$2swd
830 0 $aCambridge music handbooks.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/cam024/97050598.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/cam028/97050598.html
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